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SCREENS: On Sabotage and Refusal in Latin American Art

Latin America provides a unique perspective on our relationship with screens, echoing concerns of the Global North while also adding a distinct perspective. Screens, beyond being mere technological artifacts, also represent cultural and artistic forms with which we interact, create, and experience our world. Shaped by historical legacies like colonialism and the process of mestizaje, as well as the shared experience of Spanish as a predominant language, Latin America’s cultural awareness is intricate and specific in relation to other geographies, while still being very nuanced. Yet, what remains as a shared condition at large is how its socio-political history is marked by tensions and contradictions, largely due to a constant struggle for autonomy against imperialism.

Stamford exhibit to open with reception

Arkansas Arts Council accepting entries for Small Works on Paper exhibition

Arkansas Arts Council accepting entries for Small Works on Paper exhibition
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Duncan Ballantyne-Way on Nadim Samman s Poetics of Encryption

With its focus on the inherent inscrutability of corporate technology despite ever-increasing claims of user transparency, the exhibition suggests that within the informational overload, we should not lose sight of the human.

An Uncanny Exhibition Turns the Online World Into Artistic Material

An Uncanny Exhibition Turns the Online World Into Artistic Material
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