Latin America provides a unique perspective on our relationship with screens, echoing concerns of the Global North while also adding a distinct perspective. Screens, beyond being mere technological artifacts, also represent cultural and artistic forms with which we interact, create, and experience our world. Shaped by historical legacies like colonialism and the process of mestizaje, as well as the shared experience of Spanish as a predominant language, Latin America’s cultural awareness is intricate and specific in relation to other geographies, while still being very nuanced. Yet, what remains as a shared condition at large is how its socio-political history is marked by tensions and contradictions, largely due to a constant struggle for autonomy against imperialism.

Related Keywords

Chile , Mexico , Quito , Pichincha , Ecuador , Colombia , Centro , Durango , Cuba , Brazil , United States , Spain , Paraguay , American , Brazilian , Paraguayan , Spanish , Cuban , Colombian , Mexican , America , Chilean , Juliana Gontijo , Juan Sebasti , Kira Xonorika , Ronny Albuja , Ronny Fernando Albuja , Doreen Rios , Luis Navas , Videographies Espacios , Marcial Coba , Giselle Beiguelman , Josefina Buschmann , Juan Pablo Racines , Charlotte Kent , Juan Pablo Pacheco Bejarano , Samantha Albuja , Marcela Armas , Mediengruppe Bitnik , Helena Shaskevich , Ernesto Oroza , Xavier Barriga Abril , Valentina Montero , Samsung , University Of San Francisco , Shell , Google , University Biennial Of Multimedia Art , University Of San Francisco De Quito , Only Screen , Bienal Universitaria De Arte Multimedial , Centro De Arte Contempor , Liquid Spaces , Screen Politics , University Biennial , Multimedia Art , San Francisco , Global North , Latin American , Latin America , San Francisco De Quito , Fernando Albuja , Beyond Collapse , American Artist , Opera Calling , Surveillance Chess , Biometric Landscapes , Intimacy Devices , Juan Pablo , Pablo Racines ,