Scholars have a mantra: Shakespeare is universal and his works are for everyone. But for Black actors and audiences, does an implicit whiteness in the Bard's canon hinder access and identification?
You’ll have to forgive me for seeing a little extra spring in Larry Yando’s step as the reformed Scrooge, rediscovering the world around him and heading out for dinner with family. “Welcome back,” Yando shouted as the curtain fell.
Step inside rehearsal for Goodman Theatre’s A Christmas Carol returning to the stage for its 44th annual production in the heart of the Chicago Loop following a year of darkened stages.
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