Offered fish and wine to the winners, but the main battle took place on the salnitsa river, in the don basin, the polovtsians were much more, they surrounded the russian army, but it was able to deliver a coordinated direct blow, the polovtsians fled, and the russians captured large booty and many prisoners, news of the campaign reached byzantium and european countries, thereby raising the authority of russian princes in the eyes of european rulers, as the defenders of christianity from the faithful even called the campaign a crusade. After this, the polovtsy only once approached the borders of russia, and then they left to serve the georgian king. After manomakhs death they took part in internecine the struggle of the russian princes, and most often on the side of the suzal and novgorodseversky principalities. On march 5, 1770, the socalled boston massacre occurred in north america. It was a street skirmish between boston residents and english soldiers. The teenager provoked her. Work
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10 most iconic Soviet paintings
1. Boris Kustodiev. Tretyakov gallery
Kustodiev s allegorical painting depicts the gigantic figure of the Bolshevik, the ruler of the new world, waving a red flag and leading the crowd into the glorious communist future. The work was very much to the Soviet authorities’ liking, and later formed part of the collection of the New Tretyakov Gallery.
2. Kuzma Petrov-Vodkin. Tretyakov gallery
The works of Petrov-Vodkin resemble icon painting in terms of composition, color and symbolism. He could be said to be the icon painter of the new communist system, and one of his most emblematic “icons” is undoubtedly
Painter Robert Falk s Triumphant Return to Moscow
The huge retrospective at the Tretyakov is a revelation. Bay of Balaklava, 1927 State Tretykov Gallery
The exhibition of painter Robert Falk (1886-1958) in the New Tretyakov Gallery begins with a comment about the leader of the U.S.S.R. “Nikita Khrushchev was not prepared for this kind of painting,” it reads.
The painting in question was “Nude in an Armchair.” In 1962 the First Secretary of the Central Committee of the Communist Party, Nikita Khrushchev, called it “perverted.” It was being shown at an exhibition dedicated to the 30th anniversary of the Moscow Union of Artists. “For the present this kind of creativity is considered indecent,” said Khrushchev, whose taste leaned more to red banners and official portraits.