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For this âRomeo & Juliet,â stars Josh OâConnor and Jessie Buckley were aligned
The actors and friends play Shakespeareâs ill-fated lovers in a production for PBS
By Don Aucoin Globe Staff,Updated April 21, 2021, 5:21 p.m.
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From left: Jessie Buckley as Juliet, Lucian Msamati as Friar Laurence, and Josh O Connor as Romeo in Romeo & Juliet, filmed at Londonâs Lyttelton Theatre.Rob Youngson
The TV and film careers of Josh OâConnor and Jessie Buckley have been on a steady ascent, highlighted recently by OâConnorâs multilayered portrayal of Prince Charles in âThe Crownâ and Buckleyâs unforgettable performance as the primly homicidal nurse Oraetta Mayflower in season four of âFargo.â
Jessie Buckley and Josh O Connor in Romeo & Juliet
4/23/2021
Josh O Connor and Jessie Buckley play Shakespeare s tragic lovers, torn asunder by a bitter feud, in this National Theatre production reconceived for the screen and airing on PBS.
At 30 and 31, respectively, Josh O Connor and Jessie Buckley are not the youngest actors to have played Shakespeare s star-crossed lovers in
Romeo & Juliet. But there s no doubting the youthful, I-would-die-for-you intensity of their passion in Simon Godwin s thrilling reimagining of the classic drama. If anything, their maturity gives the heavy veil of melancholy that clouds their joy all the more weight. Originally planned for London s National Theatre and reconceived for television in ways that ingeniously bridge the distance between stage and screen, this is as much a mesmerizing contemplation of theatrical storytelling as a heart-piercing reflection on divisions of violence and hate.
Sebastian Nevols
Town & Country readers as
The Crown s Prince Charles was set to lead a UK National Theatre production of Shakespeare s
Romeo & Juliet, opposite
Chernobyl s Jessie Buckley. Now, the play has been reconceived as a TV movie, the first original production for the screen to be filmed in the theater s South Bank home.
“Over 17 days of filming, the company was united by a sense of shared exploration. As well as being given intimate access to the thoughts and feelings of characters, we were able to bring to life remarkable, forgotten spaces at the National Theatre, said Simon Godwin, the production s director, per
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