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Thames Valley Air Ambulance aftercare sees huge rise during Covid

Thames valley air ambulance THERE has been a huge rise in former patients of Thames Valley Air Ambulance seeking its aftercare services, since the start of the pandemic. Figures for the 12-month period from October 2019 to September, show a peak of 76 former patients in March last year who contacted the charity for support. The charity was one of the first air ambulances in the country to introduce the patient liaison manager, a role that has many facets, one of which supports former patients. The service also extends to loved ones and the bereaved. After discharge from hospital, the patient liaison manager helps people on their recovery journey and signposts them to specialist providers to ensure they get help for their physical, mental and emotional wellbeing.

Thames Valley Air Ambulance sees surge in need for aftercare support during lockdown

Thames Valley Air Ambulance THAMES Valley Air Ambulance (TVAA) has revealed a huge rise in former patients seeking its aftercare services, since the start of the pandemic. Figures for the 12-month period from October 2019 to September 2020, show a peak of 76 former patients in March 2020 who contacted the charity for support. TVAA was one of the first air ambulances in the country to introduce the Patient Liaison Manager, a role that has many facets, one of which supports patients who have been helped by the charity. The service extends to loved ones and the bereaved. After discharge from hospital, the Patient Liaison Manager helps people on their recovery journey and signposts them to specialist providers to ensure they get help for their physical, mental and emotional wellbeing.

Violation Director Interview: Madeleine Sims-Fewer and Dusty Mancinelli – /Film

Posted on Tuesday, March 9th, 2021 by Jason Gorber One of the most jarring, intense films to play at TIFF 2020 and Sundance 2021 was the revenge thriller Violation. Sure to divide audiences, the same ambivalence was shared by one of /Film’s staff critic. In his mixed review, Chris Evangelista called Madeleine Sims-Fewer and Dusty Mancinelli’s work “unflinchingly brutal” yet “muddled,” while the “pervasive feeling of dread and horror is pitch-perfect” and that “there’s much here worth fixating on.” Whether or not you feel the film sticks its landing, it’s clear that Sims-Fewer and Mancinelli are attempting something quite ambitious with their debut feature, anchored in part by Madeleine’s intense, violent portrayal of the central character Miriam on screen. In conversation with the two directors prior to the film’s Midnight Madness premiere, we asked them about the story’s complexity, how they navigated its bleak themes with a supportive cast, and

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