The recent Dalit representation in Indian cinema has arrived with nuanced attributes, distinct from the earlier cinematic portrayal that mostly depicted them as victims of caste atrocities and violence. The new representation in the recent Hindi, Tamil, and Marathi films and on various over-the-top platforms has progressively identified Dalits as the part of a greater
Little remains of the thousands of silent features made in early-20th-century India. That doesn’t make the story of how they came to be – and why they disappeared – any less interesting.
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