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DeCordova Sculpture Park and Museum Awards 22nd Rappaport Prize to Artist Katherine Bradford

DeCordova Sculpture Park and Museum Awards 22nd Rappaport Prize to Artist Katherine Bradford
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Yale University Press publishes paperback edition of Art Can Help by Robert Adams

Yale University Press publishes paperback edition of Art Can Help by Robert Adams Judith Joy Ross, Ryan Boyle and Mr. Brubaker, 1993. © Judith Joy Ross. NEW HAVEN, CONN .- This summer, the Yale University Art Gallery, in association with Yale University Press, will release a paperback edition of the critically acclaimed publication Art Can Help, by American photographer Robert Adams (born 1937). Originally published by the Gallery in 2017, Art Can Help—chosen by Photo-Eye magazine as one of the best photography books of 2017 and the second-place winner in the Books category of the 2018 New England Museum Association Publication Awards—shares over two dozen meditations on the purpose of art and the responsibility of the artist. The first edition, published in hardcover, sold out its entire print run. The new paperback edition, available in summer 2021, puts this prescient book back into print.

Gregory Harris appointed Curator of Photography at the High Museum of Art

Gregory Harris appointed Curator of Photography at the High Museum of Art
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On Photography, Life, and Dancing - Video interview with Abelardo Morell

This amazing yet short video is pure inspiration for all photographers interested in exploring the endless fine art possibilities that the basics of light and images provide

Gallery in Baltimore features camera obscuras work

Baltimore — Full Circle Photo Gallery presents Orphaned Light, a solo exhibition featuring the work of Finnish artist Marja Pirilä. On view now through May 29, photographs of room-sized camera obscura projections from two series are featured. For these enigmatic images, rooms in two abandoned buildings were set up as camera obscuras: a former psychiatric hospital and an abandoned and unfinished mansion whose owners died suddenly before its completion. By infusing these rooms with light from the outside environment, they are brought back to life, though in a dream-like state. Latin for ‘dark chamber’, the phenomenon of the camera obscura has a long history going back as far as the fifth century BCE in China. They were popular in eighteenth-century artistic circles as optical aids, in the nineteenth century as tourist spectacles, and with contemporary photographers such as Abelardo Morell. While Pirilä uses the same phenomenon, she uses it in an entirely differen

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