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Is something Jewish about Spoon River Anthology? – The Forward

“Spoon River Anthology” (1915) by Edgar Lee Masters, a collection of autobiographical verse monologues in epitaph form, was named by Eliot Weinberger as the “century’s most influential book of American poetry” alongside T.S. Eliot’s “Waste Land.” A new book on Masters from University of Illinois Press is a good occasion for examining the neglected subject of Spoon River’s Jews. An attorney who fought for workers’ rights, Masters has been described as a “violent antisemite,” possibly in part due to his association with the novelist Theodore Dreiser, who did indeed loathe Jews. Yet Masters had a more complex rapport with Yiddishkeit, as might be expected from a leftist who worked as law partner of Clarence Darrow. Darrow was so philosemitic that he wrote a short story, “Little Louis Epstine” about a Jewish paperboy who lost one hand in an accident (“He was run over by a beer wagon when he was a baby”) and the other to frostbite.

At 85, New Directions Celebrates with City Lights

At 85, New Directions Celebrates with City Lights
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Contempt Causes Insanity | John Wilson

Ruanda inefable - La Nueva España

Ruanda inefable - La Nueva España
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Bird and Shaman by Johannes Göransson | Poetry Foundation

Untitled, 1959. Art by Eugene Von Bruenchenhein. Used by permission of Rich Shapero. © Rich Shapero. The Combustion Cycle (Roof Books, 2021), by Will Alexander, gathers three long poems written over two decades: “Concerning the Henbane Bird,” “On Solar Physiology,” and “The Ganges.” At more than 600 pages, the book calls attention to one of the great originals of contemporary US poetry, and at the same time it’s a record of something else something that has less to do with contemporary US poetry and more to do with another model of time and tradition. It feels like a record of a shamanic engagement with nature, with geological time, and, perhaps most radically, with what the political theorist Jane Bennett has called “vibrant matter,” the movement of supposedly “non-living” materials, such as metals and rocks. Alexander seems to be both the most American of poets part of several US traditions and almost not even writing in Ameri

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