James Prosek’s show Trespassers reorients the subject of the Amon Carter Museum to the Texas prairie tall grass. Knowing full well that we implicate ourselves when we observe something, that the gaze reduces both what is seen and who envisions it, Prosek returns to the earth in a post-humanist strategy of subject building—perceiving secluded worldings, where Galleta grows in the Edwards Plateau, and where Turk’s-cap Lilies bloom within the Blackland Prairie.