dissecting what was in the thing. so i thought i would ask myself four or five questions about what i was going to cover. what do you want to say in the briefest few words as to why you're doing it? as a director, i knew if i got that, maybe i didn't get great imagery or tone, but if you got that, you got it. >> so that horse's head scene, in the book, the horse's head is not in the bed, is it? >> here's the book, no. >> what made you put it on the bed? >> i just thought it would be more interesting if he felt something in his bed and he opened the shoot and there was blood. always you get more shock if you can get the audience to think -- it's called misdirection. so if he saw blood, maybe the