Photo: Lucy Scholes.
I first came across the poet and short story writer Frances Bellerby’s fiction when I was working on my Ph.D. My subject was sibling relationships in mid-twentieth-century British literature, and some dusty avenue of research led me to Bellerby—a name I had not come across before and haven’t since, bar this article on the treasure trove that is the Neglected Books website—quite a few of whose short stories feature brother-and-sister pairs. Ultimately, I didn’t reference her work in my finished thesis, but neither did I forget some of the haunting images therein. Two children in the gloaming, the descending darkness bringing with it a premonition of war. The strange out-of-body experience of a child—a reaction to witnessing a horrible accident—that momentarily renders her unable to identify the scratched and bloody hand in front of her as her own, caught on blackberry brambles. Or simply the tableau of a cozy drawing room on a winter’s evening, seen through the eyes of a child for whom it’s usually out of bounds, a fire roaring in the grate, the heavy curtains drawn against the cold night outside, and a striking blue vase filled with brilliant bronze chrysanthemums.