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In  Women’s Fiction and the Great War (1997), Nathalie Blondel argues that Bellerby spent the rest of her life replaying this grief in her fiction. “People live double lives” in Bellerby’s stories, Blondel explains: they exist in the land of the living while also “dwelling in memories of the dead.” Like Sabine Coelsch-Foisner who, in her chapter on women’s writing in the first half of the twentieth-century in  The British and Irish Short Story (2008), argues that “Bellerby’s stories typically convey a halt in the continuum of life and verge on the unspeakable” Blondel highlights how Bellerby demonstrates this linguistically: “the estrangement of the bereaved from the world of the living is imaged through their estrangement from language itself.”

North yorkshireUnited kingdomFrance generalSabine coelsch foisnerLucy scholesParis reviewGreat warNathalie blondelIrish short storyExperienced houseவடக்கு யார்க்ஷயர்ஒன்றுபட்டது கிஂக்டம்பிரான்ஸ் ஜநரல்லூசி பள்ளிகள்பாரிஸ் விமர்சனம்நன்று போர்