"Mifune" is the latest work with the imprimatur of Dogma '95, a group of Danish filmmakers who signed a cinematic "vow of chastity"--reserving poverty and obedience, apparently, for TV directors. Dogma films are encouraged to use natural light and sound, real locations, no props or music brought in from outside, hand-held cameras and "no directorial touches," as if the auteur theory was shamelessly immodest. Of the Dogma films I have seen ("The Idiots," "The Celebration") and the Dogma wannabe "julien donkey-boy," it is the most fun and the least dogmatic. With just a few more advances--like props, sets, lighting, music and style--the Dogma crowd will be making real movies.