not to hello, this is bbc news. we'll be taking a look at tomorrow mornings papers in a moment. first, the headlines. hundreds gathered in defiance of coronavirus rules to remember sarah everard who was kidnapped in south london. a serving policeman has been charged with her murder. coronavirus cases increase in many european union countries as a third wave of the pandemic gathers speed. eight more anti—coup protesters are killed by security forces in myanmar, with more violence reported in several cities. former formula 1 commentator murray walker has died. he was 97. walker was appointed an obe in 1996 for his services to broadcasting and motor racing. hello and welcome to our look ahead to what the the papers will be bringing us tomorrow. with me are lucy beresford, broadcaster and psychotherapist and joe twyman the director of deltapoll. tomorrow's front pages, starting with... the telegraph reports on the duchess of cambridge�*s visit to the memorial for sarah everard in clapham common, a source told the paper that she wanted to pay her respects to sarah and herfamily. (ani)the sunday express also leads with catherine's visit this evening, adding that she said she remembered what it felt like to walk around london at night before she got married. the mail on sunday adds that the duchess laid daffodils from kensington palace at the south london vigil and mingled discreetly with others paying their respects. the daily star leads on the death of murray walker — writing that the legendary tv commentator, was the voice of formula 1 for decades. so let's begin... we'll we�* ll start we'll start with the sunday express stop for sarah, it says, and there is a picture of sarah everard, alongside a very sombre solemn —looking kate middleton, the duchess of cambridgejoining —looking kate middleton, the duchess of cambridge joining thousands of people to pay tribute to sarah everard who disappeared last week from that part of london. lucy, the fact that this visual, will talk about the policing of it in a moment, but the fact that these vigils around the country were cancelled, but this one still drew hundreds and hundreds of people, mostly women, to the place where sarah was seen. itjust shows how strongly people feel about the need for male violence against women to be addressed and we do have to be very careful, of course, because this is an active case. we very careful, of course, because this is an active case.— very careful, of course, because this is an active case. we do but at the same time. — this is an active case. we do but at the same time, this _ this is an active case. we do but at the same time, this case _ this is an active case. we do but at the same time, this case just - this is an active case. we do but at i the same time, this case just seems to have touched pretty much everyone, and i think the quote from the duchess of cambridge giving her reason for being on clapham common today, that she remembers what it was like walking on the streets of london at night, that line is going to resonate with pretty much any woman who has ever walked outside their home at night. if you've got a statistic, i'm going to sound like joe now, if you've got a statistic that says 80 to 24—year—olds, 97% of 18 to 24—year—old women have been sexually harassed in some shape, way or form, sexually harassed in some shape, way orform, this sexually harassed in some shape, way or form, this shows that this is happening to pretty much every woman. and i think that is why there was such a complicated issue around whether this vigil should take place. they have been so many protests, though, in the last nine months, let's say, whether it's been black lives matter, extinction rebellion, even football supporters earlier in the week seems to be allowed to congregate, but somehow peaceful women, allowed to congregate, but somehow peacefulwomen, most allowed to congregate, but somehow peaceful women, most of whom would be wearing masks, wanting to remember one of their own, and they weren't allowed to do it, something has gone really badly wrong. me’ye has gone really badly wrong. we've seen uuite has gone really badly wrong. we've seen quite a _ has gone really badly wrong. we've seen quite a lot _ has gone really badly wrong. we've seen quite a lot of— has gone really badly wrong. we've seen quite a lot of criticism, - has gone really badly wrong. we've seen quite a lot of criticism, joe, i seen quite a lot of criticism, joe, of the way the police handled this vigil, which officially was not supposed to take place, of course, we know that, but once you know that something is going to occur, it then becomes that surely how you manage it. , ., becomes that surely how you manage it. , . ., , becomes that surely how you manage it. ,. becomes that surely how you manage it. yes, and many people, including siddiuue it. yes, and many people, including siddique khan _ it. yes, and many people, including siddique khan have _ it. yes, and many people, including siddique khan have talked - it. yes, and many people, including siddique khan have talked about. it. yes, and many people, including| siddique khan have talked about the response _ siddique khan have talked about the response been appropriate and proportionate and the need, given that very— proportionate and the need, given that very specific circumstances of this case _ that very specific circumstances of this case -- — that very specific circumstances of this case —— siddique khan. —— sadiq khan _ this case —— siddique khan. —— sadiq khan 50. _ this case —— siddique khan. —— sadiq khan. so, somebody in the metropolitan police chain of command has made _ metropolitan police chain of command has made the decision about the level_ has made the decision about the level of— has made the decision about the level of response that was required, and that— level of response that was required, and that person must be held accountable for what has happened tonight, _ accountable for what has happened tonight, because it is simply not acceptable. tonight, because it is simply not acceptable-— tonight, because it is simply not accetable. , . ., acceptable. yes, and calls from ed dave , acceptable. yes, and calls from ed davey. the — acceptable. yes, and calls from ed davey, the liberal _ acceptable. yes, and calls from ed davey, the liberal democrat - acceptable. yes, and calls from ed i davey, the liberal democrat leader, for one, the metropolitan police commissioner to resign as a consequence of some of these scenes. on the sunday telegraph, there is analysis of what was behind the message beat behind what the duchess of cambridge said it was like before she got married, to be a single woman on the streets of london. and they will be serving politicians these days who may, could have done more to make london and other cities are safer, and that is what she is referring to, this piece would suggest. referring to, this piece would su: est. . , referring to, this piece would sun est. . , ., referring to, this piece would sunest. . , ., ., referring to, this piece would sunest. ., , ., ., ., ., suggest. that is true, and a dot of the statistics _ suggest. that is true, and a dot of the statistics we _ suggest. that is true, and a dot of the statistics we see _ suggest. that is true, and a dot of the statistics we see on _ suggest. that is true, and a dot of the statistics we see on this - suggest. that is true, and a dot of| the statistics we see on this issue, this is— the statistics we see on this issue, this is something that i have been looking _ this is something that i have been looking at— this is something that i have been looking at for nearly 20 years, a lot of— looking at for nearly 20 years, a lot of the — looking at for nearly 20 years, a lot of the statistics on this i —— are not— lot of the statistics on this i —— are not good enough. i am six foot four and _ are not good enough. i am six foot four and male, are not good enough. i am six foot fourand male, i are not good enough. i am six foot fourand male, lam are not good enough. i am six foot four and male, i am at the person to be four and male, i am at the person to he talk— four and male, i am at the person to he talk about — four and male, i am at the person to be talk about whether it is safe to look -- _ be talk about whether it is safe to look —— walk home at night in london — look —— walk home at night in london. two thirds of people believe that in_ london. two thirds of people believe that in the _ london. two thirds of people believe that in the last 25 years, gender equality— that in the last 25 years, gender equality in— that in the last 25 years, gender equality in this country has got better, — equality in this country has got better, what does that mean? that means— better, what does that mean? that means one — better, what does that mean? that means one third of people actively believe _ means one third of people actively believe that is not the case. that is not _ believe that is not the case. that is not good — believe that is not the case. that is not good enough. we also have a situation _ is not good enough. we also have a situation where nearly 70% of people in this— situation where nearly 70% of people in this country say that gender equality— in this country say that gender equality is personally important to them, _ equality is personally important to them, that means that 30% of people believe _ them, that means that 30% of people believe it— them, that means that 30% of people believe it is— them, that means that 30% of people believe it is not actually the case, that is— believe it is not actually the case, that is not— believe it is not actually the case, that is not good enough. and then we have a _ that is not good enough. and then we have a situation where 91% of people. — have a situation where 91% of people, in this country, believe that pinching, a man pinching a woman— that pinching, a man pinching a woman on— that pinching, a man pinching a woman on the bottom is a sexual harassment. that means 9% of people do not _ harassment. that means 9% of people do not believe that and that is not acceptable. joe do not believe that and that is not acceptable-— acceptable. joe talks about equality. — acceptable. joe talks about equality. lucy. _ acceptable. joe talks about equality, lucy, that - acceptable. joe talks about equality, lucy, that is - acceptable. joe talks about equality, lucy, that is not. acceptable. joe talks about - equality, lucy, that is not always what we think of straightaway, when we talk about gender equality. fellows —— eg dogmatic ecology of opportunity and in the workplace and equal pay, but this is something more personal than that, it is about being safe to be out and about. yes. being safe to be out and about. yes, that is why. — being safe to be out and about. yes, that is why, actually, _ being safe to be out and about. yes, that is why, actually, it _ being safe to be out and about. is: that is why, actually, it isn't actuallyjust that is why, actually, it isn't actually just about a policing issue, we had to look more widely to think about how how young men and our boys in schools are taught about issues to do with respect, consent, they need to understand what is sexual harassment. when i have had conversations in the past few days with grown—up men who want to know what they could do differently, when you turn around and say, well, it is things like not having locker room banter with your mates, not denigrating women, not kind of objectifying them, i think a lot of men are surprised that they even do that because they think they are being sunny or they think that it is harmless. but actually this is a steady drip, drip effect on the way which men, some men do not see women as anything other than objects. of course, this particular situation we got tonight, it has other tendrils to it. it is an issue around policing, it is an issue around whether the police are being asked to enforce the unenforceable at the moment. at the same time, society has to take some kind of responsibility at the way in which men and women look at each other and how they treat each other. let’s how they treat each other. let's 'ust how they treat each other. let's just move _ how they treat each other. let's just move away _ how they treat each other. let's just move away from _ how they treat each other. let's just move away from that - how they treat each other. let's just move away from that for i how they treat each other. let's just move away from that for a l just move away from that for a moment, will come back to that story at 1130 and take a look at how some of the other papers are looking at it. the daily star on sunday talks about murray walker dying at the age of 97. i'm not going to pretend for one minute that i am at all interested in motor racing but he made it bearable for me. i interested in motor racing but he made it bearable for me.- interested in motor racing but he made it bearable for me. i have one uncle who used _ made it bearable for me. i have one uncle who used to _ made it bearable for me. i have one uncle who used to be _ made it bearable for me. i have one uncle who used to be a _ made it bearable for me. i have one uncle who used to be a senior - uncle who used to be a senior commander in the metropolitan police. — commander in the metropolitan police, my other uncle used to be a professional— police, my other uncle used to be a professional racing driver when he was younger, so both of these stories— was younger, so both of these stories really resonate with me. i'm not a _ stories really resonate with me. i'm not a big _ stories really resonate with me. i'm not a big formula 1 fan but i did really— not a big formula 1 fan but i did really enjoy watching formula 1 with my uncle _ really enjoy watching formula 1 with my uncle and unfortunately he died a few years _ my uncle and unfortunately he died a few years ago and i still miss him and i_ few years ago and i still miss him and i have — few years ago and i still miss him and i have a — few years ago and i still miss him and i have a lot of lovely memories of watching — and i have a lot of lovely memories of watching formula 1 with him on the tv— of watching formula 1 with him on the tv when i was a kid. it was murray— the tv when i was a kid. it was murray walker that provided the soundtrack for those memories and so he has _ soundtrack for those memories and so he has a _ soundtrack for those memories and so he has a place in my heart. yes, soundtrack for those memories and so he has a place in my heart.— he has a place in my heart. yes, i can imagine _ he has a place in my heart. yes, i can imagine he — he has a place in my heart. yes, i can imagine he does, _ he has a place in my heart. yes, i can imagine he does, what - he has a place in my heart. yes, i can imagine he does, what a - he has a place in my heart. yes, i l can imagine he does, what a lovely story. lucy, he was so enthusiastic, to the point where he could hardly contain himself or carry on commentating sometimes because he did get very emotionally involved in the sport. did get very emotionally involved in the sort. , ~ .,, the sport. yes, i think it was clive james it the sport. yes, i think it was clive james it is — the sport. yes, i think it was clive james it is voice _ the sport. yes, i think it was clive james it is voice has _ the sport. yes, i think it was clive james it is voice has been - the sport. yes, i think it was clive i james it is voice has been someone james it is voice has been someone who sounded like his trousers were on fire. he had a great double act with james hunt and summary have described it as being the cat on a hot tin roof meets the cat lounging in the sun. i think it was that amazing enthusiasm that he brought to every single commentary that made it something that as you have described, those of us who really have no interest in formula 1 could at least get behind the enthusiasm and the joy, at least get behind the enthusiasm and thejoy, the camaraderie, the competitiveness of it, he made it intelligible, instead ofjust being a sport about cars going a track. yes, that is howl a sport about cars going a track. yes, that is how i see it, unfortunately. i do realise that motor racing drivers are immensely brave that is as far as i can really go. let's get back to the sunday telegraph, don't bother writing in and tell me that i'm missing the point because i'm too old. wembley to admit 20,000 fans to fa cup final in cautious restart for spectator sport. here we are talking about this and it will be fraught with concern for a lot of people that a big gathering of this kind is going to be allowed to happen at some point. to be allowed to happen at some oint. ~ , , , to be allowed to happen at some oint, . , , , ., to be allowed to happen at some oint. ~ , , , ., to be allowed to happen at some oint.~ , , , ., point. well, yes, but at some point, we do have — point. well, yes, but at some point, we do have to _ point. well, yes, but at some point, we do have to recognise _ point. well, yes, but at some point, we do have to recognise that - point. well, yes, but at some point, we do have to recognise that the - we do have to recognise that the research shows that you are less likely to catch the virus outside, and i understanding of quite a lot of wembley is that it is outside, and there are plenty of matches that have been taking place around the world in otherforums, lots have been taking place around the world in other forums, lots of rugby in new zealand, cricket matches in india, it won't be necessarily what english fans want to dwell on, but if you can get to a situation with the vaccine giving us this opportunity to really recapture the spirit of normal life, surely the biggest test is going to be if we can actually introduce sporting occasions where lots of people are gathered but at the same time, they are going to be outside and you walk to wembley, i guess some people are going to have to go by public transport but again, people are going to be wearing their masks, people will take personal responsibility. this could be a really positive indicator that things are gradually getting back to normal. �* ,., things are gradually getting back to normal. �* . , things are gradually getting back to normal. �* ., , , ., normal. and so many people have messed things _ normal. and so many people have messed things like _ normal. and so many people have messed things like sporting - normal. and so many people have | messed things like sporting events and then of course we will be thinking about theatre, concerts, and even festivals and may be a smaller scale, j.— and even festivals and may be a smaller scale, j. that's right, the readinu smaller scale, j. that's right, the reading and _ smaller scale, j. that's right, the reading and leeds _ smaller scale, j. that's right, the reading and leeds festival- smaller scale, j. that's right, the reading and leeds festival are l smaller scale, j. that's right, the i reading and leeds festival are set to go— reading and leeds festival are set to go ahead. all of these things are impact _ to go ahead. all of these things are impact indicators, indicated to the entire _ impact indicators, indicated to the entire country that things are slowly— entire country that things are slowly but surely, we hope, getting batten _ slowly but surely, we hope, getting batten so. — slowly but surely, we hope, getting better. so, return to normal life, whatever— better. so, return to normal life, whatever normal life looks like in the months and years to come. that is on _ the months and years to come. that is on the _ the months and years to come. that is on the cards as though each one of these _ is on the cards as though each one of these is — is on the cards as though each one of these is a — is on the cards as though each one of these is a chink of light at the end of— of these is a chink of light at the end of what has been a very long tunnet _ end of what has been a very long tunnel. , ., . , end of what has been a very long tunnel. , ., _ ., ~ end of what has been a very long tunnel. , ., , . ~' ,. end of what has been a very long tunnel. , ., _ ., ~ y., , tunnel. joe, lucy, thank you very much, tunnel. joe, lucy, thank you very much. that _ tunnel. joe, lucy, thank you very much. that is _ tunnel. joe, lucy, thank you very much, that is the _ tunnel. joe, lucy, thank you very much, that is the papers - tunnel. joe, lucy, thank you very much, that is the papers for - tunnel. joe, lucy, thank you very much, that is the papers for this | much, that is the papers for this hour, but we will be back again at 11:30pm for another look at the front pages. next, click. this week — a collection of collectables. this week, we're going to be talking about rare and collectible items. now, lara, you've been looking into something that's been getting a lot of hype recently, haven't you? i have. now, can you tell me what is the most collectible item you have in your house? um... this shirt? oh, i know — this thing. everyone's always asking me about this online. how about you ? well, i managed to dig out my peter andre doll! it's has been signed by peter andre himself! no way! all hail the andre! now, the thing is there are plenty of collectible, valuable things in the world and by definition, each one of them is very rare. so it might surprise you to learn that people have started to buy digital collectables. see, the thing is, you can make an identical copy of a digitalfile — you can make millions of them if you want, just with a couple of button presses — so surely, that means that digital items can't be unique. can they? jack dorsey seems to think so. the founder of twitter has put his first—ever tweet up for auction, which may now sell for over $2.5 million — even though we can all access it whenever we want. the secret is that proof of ownership is stored elsewhere online, as something called an nft or non—fungible token — a unique marker that can't be copied, changed or disputed. synth pop artist grimes has sold limited edition copies of her digital art for almost $6 million. and musician blau sold limited edition copies of his ultraviolet album for a whopping $11 million — again, even though anyone can access them online. i don't know about you, but this sounds nuts! laughs. it is rather hard to get your head around. but the idea of somebody being able to prove that they own something completely digital is nothing new. you can prove who owns a bitcoin because there's a public, unchangeable record, and that sits on something called the blockchain. and these nfts use exactly the same technology, just with a bit of a tweak, allowing creators to attach all sorts of conditions to the item that they're selling. along with proof of ownership, they can say how it can be sold or how it can be used. nfts can serve as proof of sale for absolutely anything. but all the buzz has been around the sale of digital items. buying a house is complicated. it's notjust a matter of being able to afford it, but also committing to that cash being tied up. so imagine you have a mortgage. ownership of your home is split between you and the bank. but the idea of tokenisation is that that ownership can be broken down into any number of pieces, and that means you could have any number of owners. it should also offer some flexibility for you to be able to buy and sell parts of your house if you want to. it's already happening in some places, including new york and dubai. in england and wales, the land registry has been looking at the idea. so we've run a couple of prototypes over the last two years, really to see whether actually technology could enable this. so rather than it being a barrier, could it become an enabler? so i think it opens up opportunities for homeownership but also equally, i think it opens up opportunities in terms of lending against a property. and we all know with increased opportunities becomes wider competition as well. i think the entries at the moment into the market are quite high, in terms of lending. what this allows is to lower those entries to market to own a property. the important thing is land registry issues that token, so it's almost kind of government issuing that token, and that adds an extra sense of assurance and credibility and guarantee. the proof of concept was run in 2019 and it showed that this could technically work, bringing the buying process down from weeks to minutes. however we do this, it's done in such a way that everyone can consume it, without understanding what blockchain is, without understanding what tokenisation is. co—owning a home can be daunting, even when it's with someone you know well, so the idea that we may be owning homes with strangers could feel intimidating. i think this is all about, you know, setting things up in the right way so homeowners should have the ability to own their own home and if they have sold off some of it to other investors, then they should have the right to call that back as part of the deal that they do with those investors. there is still a long way to go for both the lenders and us, whether buying or selling, to be ready to go digital. but in a world where we're used to doing so many things at the click of a button, i can certainly see the appeal. ultimately, tokenisation could simplify everything by leaving a trail of who owns what and what they need to know, with full transparency. but like every new bit of tech, it may bring with it its own problems. we had the 2008 financial crisis which was caused by fancy financial products that people did not really understand. theyjust saw a big number or "i can afford a house now" or something like that. and they got into really deep water. and when the system fell over, people lost everything. so we know about fancy financial products. they're dangerous because people don't understand them. they could lose everything and we don't need tokens as an excuse to do this bad idea again. you shrewd and naivsh sprite, what hast thou done? i know not. it's a midsummer night's dream but not as you know it. these are the final rehearsals for dream, a new show from the royal shakespeare company inspired by both shakespeare's original play and the times we live in. as em and jamie move around the space, their motion capture suits allow their movement to be mapped onto the characters of puck, peaseblossom and the rest of the inhabitants of fairyland. it has been a while since i've had a chance to get into a mocap suit and for some reason it's more of a squeeze than it was before lockdown. i can't think pie — i mean why. in many ways this is less like theatre acting and more like the kind of acting that hollywood performers have been doing in cgi films for quite a number of years now. you can interact with a fellow performer in the same space but what you actually end up looking like, well, that's up to the digital artist. inexplicably, i have become the black power ranger who i think was only a background character in the original shakespeare text. so what are the differences between performing in mocap and performing live on the stage? in each of the 12 live performances, tom here will use a virtual camera to decide the shots the audience sees, but this is far from a passive show. viewers get to join in and control fireflies that guide puck through the forest, and that means the actors have to improvise depending on the path the audience chooses. now sweet friends, i need your help, light my way. the soundscape is also live. em plays the �*gesturement�*, a gesture controlled instruments that puck plays in the air. so in theatre, the actors very much rely on each other onstage and also on the technical crew to get the lighting and the scenery sorted. in movies, it's much more about the technical side because there's so much more that can go wrong. and it strikes me this is a mixture of the two, where it's live, you only get one take and you're also reliant on all of the technical staff working perfectly, including your balls. and when your balls don't register properly, your leg can drop off. laughs. this is a very live environment. a real interesting challenge in working in a motion capture system, a performance capture system, in a controlled chaos. and interestingly, this is not the first live virtual environment that we've looked at recently that has been built using unreal engine, created by the makers of the game fortnite. unreal engine allows us that flexibility to plug lots of different elements in that would be used in a live environment and control them in a game engine. example, if you move a fader on a lighting desk, a light in the unreal engine will work correspondingly. and it gives us that direct control and flexibility for live performances. this project has been in development for a couple of years now so rather than just being a quick stopgap while theatres are closed, this is a full—on r&d project to explore how theatre can continue to evolve as it has done for centuries. there are so many tools available to us, so many ways in order for us to tell a story, a narrative and connect with an audience, so this is another one of those tools. and also in terms of accessibility, it opens the door for so many people who might not be able to come to certain places. and when we are allowed back into the stalls and the circles, some of this technology could start being integrated into live performances and lead to... well, who knows what kind of show in the future? in this particular project we are testing the technology but who is to say we couldn't look at those motion capture suits and craft a beautiful costume around them? and i think that's what is exciting about this is if you put this technology in the hands of artists, expected and amazing things can happen. haste, make no delay. dream runs until the 20th of march online and as an added bonus, i won't be in it. as ever, you can find the team on social media, on youtube, instagram, facebook and twitter at bbc click. thanks for watching and we'll see you soon. goodbye. after a blustery saturday, sunday is expected to be a good deal calmer, some sunshine in the morning but later on in afternoon, most of us will get some rain. let's have a look at the forecast. through the early hours, clear spells across most of the uk with a few scattered showers, vertically across western spouts. early in the morning on sunday, temperatures close to freezing in some rural areas but for most of us it is around 304. here is that dry, bright if not sunny start in the morning on sunday but clearly the clouds increase. it is already running in parts of northern ireland, western scotland, the north west of england and wales, too. the last day to get a sunday will be east anglia and the south—east but the rain will reach you and the temperatures, seven in stornoway, around 11 degrees in the south of the country. this is bbc news with the latest headlines for viewers in the uk and around the world. i martin kroc soul. —— i martin crocs off. hundreds gather in defiance of coronavirus rules to remember sarah everard who was kidnapped in south london. a serving policeman has been charged with her murder. there's widespread criticism of how the vigil was policed after women were forcibly removed from the gathering. coronavirus cases increase in many european union countries as a third wave of the pandemic gathers speed. gunshot eight more anti—coup protesters are killed by security forces in myanmar, with more violence reported in several cities. and in sport, chelsea miss the chance to go third in the premier league after a goalless draw at leeds united.