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Maggi Hambling toughs it out | Apollo Magazine

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Scrawled on the door to Maggi Hambling’s Suffolk studio are the words ‘Stiffen the sinews, summon up the blood’. When you consider Hambling and her work – the roiling sea paintings, the penetrating portraits, her
War Requiem series – it comes as no surprise that she confronts the making of it with something akin to a battle cry. But those Shakespearian lines also seem an apt exhortation for an artist who has, on occasion, had to suffer the slings and arrows of public indignation and media broadsides.
I’m visiting her at home in a small village near Saxmundham, less than a week after the official unveiling of her sculpture for Mary Wollstonecraft in east London. ‘Yes,’ Hambling says grimly, ‘I thought that subject might just touch upon our conversation…’ The work now standing on Newington Green is the result of a 10-year campaign, spearheaded by the journalist Bee Rowlatt, to give the author of ....

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Champagne with Bacon: at the bar with a giant of British art

Francis Bacon in his studio, 1967
Credit: Ian Berry/Magnum Photos
It was dark outside but, in the lamplit tobacco clouds of the Colony Room Club in Soho, the proprietor Ian Board, his great swollen nose flushed with anger, had hopped down from his barstool perch by the door and was shouting at Francis Bacon with cries like a dog’s bark, his voice rough as a cheese-grater.
Grabbing an umbrella from the back of the stool, he began to belabour the world’s foremost artist about the shoulders as he edged out of the door into the steep, black well of the stairs down to the street. “You can’t f paint!” yelled Board at Bacon descending the twisting steps, as lobbed ballpoint pens (kept for signing in guests) bounced off his jacket. ....

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