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Hiss Golden Messenger And A New History Of North Carolina Music

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Songwriter Brad Cook once told journalist David Menconi that The older I get, the more I think that we didn t choose North Carolina, it chose us. Brad and his brother Phil moved from Wisconsin, formed the power folk band Megafaun in Durham, joined Hiss Golden Messenger and generally helped build a vibrant contemporary scene. Brad called the move and the community “the greatest thing that ever happened to us.
Mike “M.C.” Taylor, the singer-songwriter mastermind behind Hiss Golden Messenger, one of the national breakouts from Durham and a current Grammy nominee, is quoted in a new Menconi book voicing a similar sentiment from a performance celebrating the 2018 Oxford American music issue, themed around the state: “Music is what drew me to this place and made it home for me.” ....

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'It shook me to my core': 50 years of Carole King's Tapestry

Last modified on Fri 12 Feb 2021 04.44 EST
James Taylor
The singer-songwriter genre was named around 1970, give or take, and was said to apply to me and, among others Joni Mitchell, Cat Stevens and Jackson Browne. Why that supposed movement didn’t begin with Bob Dylan or even Woody Guthrie or Robert Johnson beats me – maybe they were still “folk”. But, if it means anything, Carole King deserves to be thought of as its epitome. I’d been deep into her songs – Up on the Roof, Natural Woman, Crying in the Rain – for a decade before Danny Kortchmar introduced us in Los Angeles in 1970. She played piano on my Sweet Baby James album while working on the songs for her own Tapestry. Our collaboration, our extended musical conversation over the next three or four years was really something wonderful. I’ve said it before, but Carole and I found we spoke the same language. Not just that we were both musicians but as if we shared a common ear, a parallel musical/emotion ....

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Ignorance - Record Collector Magazine

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In times when you can go from TikTok to Top 10 in the tap of a screen, it’s a miracle just how under the radar The Weather Station have flown since their beginnings in the early 2000s.
Yes, those in whatever “the know” means these days have touted Toronto-based songwriter Tamara Lindeman and high review scores have duly followed. Yet whether it was the soul deep heartache, the lyrical nature rambles, the oh-so understated delivery or whether we had just had enough folk at the time, it didn’t quite break through.
A flurry of releases – What Am I Going to Do With Everything I Know EP (2014), Loyalty (2015), The Weather Station (2017) – picked up the pace but it was only regular watchers who saw the increasingly not-so-quiet evolution that was going on as folk musings gently gave way to a more forthright approach. That 2017 self-titled album was Lindeman’s turning-point but, while the guitars had been cranked up, still those Joni Mit ....

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