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A music festival in Pakistan s nascent dance music industry was caught in a social media firestorm. The organizers cleared the air with EDM.com. Before prohibition and religious radicalization under the rule of Zia Ul Haq in 1977, Pakistan’s nightlife was thriving. In the bustling metropolis of Karachi, clubs like Excelsior, Oasis, Samar, and Club 007 openly served alcohol, hosted American jazz musicians like Dizzie Gillespie and Duke Ellington, and attracted professional belly dancers from foreign cities like Beirut, Cairo, Tehran, and Istanbul. Sweeping conservatism shuttered Pakistan’s nightlife, thwarting any chance for dance music to enter the fold. In recent years, however, regional stability and tides of liberalism have birthed interest in electronic music beyond house parties and underground raves. ....
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Viewpoint March 8, 2021 The Koel Gallery is hosting a group exhibition titled ‘Viewpoint’ from March 9 to March 24. The show features works by Bilal Khalid, Hamid Ali Hanbhi, Muneeb Aaqib and Sajid Khan. Call 021-35831292 for more information. The Space in Between The Chawkandi Art Gallery is hosting Arslan Farooqi’s solo exhibition titled ‘The Space in Between’ from March 9 to March 20. Call 021-35373582 for more information. Bashi Bazouk The Canvas Gallery is hosting Adeela Suleman’s solo exhibition titled ‘Bashi Bazouk’ from March 9 to March 18. Call 021-35861523 for more information. Family Hall The Sanat Initiative is hosting Haya Zaidi’s solo exhibition titled ‘Family Hall’ from March 9 to March 18. Call 0300-8208108 for more information. ....
Trudy Wiegand & Scheherzade Junejo ‘Green With Envy’. Frequently, the phrase “the other half” has a condescending connotation; implying that a woman is not an independent individual, but part of a composite entity. Throughout history, there have been no women military dictators, or leading figures of a religious community (popes, chief rabbis, grand muftis, ayatollahs). Power and religion have been used to dominate, exploit and subjugate women in patriarchal cultures. Over centuries, societies were built in such a way that women’s absence from literature, arts, science, politics, law, sports and business was regarded not as exclusion, but a ‘natural’ state. Linda Nochlin in her ground breaking text Why Have There Been No Great Women Artists? reflects on this: “Like any revolution, however, the feminist one ultimately must come to grips with the intellectual and ideological basis of the various intellectual or scholarly disciplines – history, philosophy, s ....