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Underexamined, women-led pattern and decoration movement explored in expansive exhibition


Underexamined, women-led pattern and decoration movement explored in expansive exhibition
Installation image of With Pleasure: Pattern and Decoration in American Art 1972-1985, June 26 – November 28, 2021. Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-onHudson, NY. Photo: Olympia Shannon.
ANNANDALE-ON-HUDSON, NY
.-The Hessel Museum of Art is presenting With Pleasure: Pattern and Decoration in American Art 1972–1985, the first full-scale scholarly North American survey of the groundbreaking yet understudied Pattern and Decoration art movement, originally on view at The Museum of Contemporary Art, Los Angeles (MOCA), from October 2019 to March 2020.
Spanning the years 1972 to 1985 and featuring 45 artists from across the United States, With Pleasure examines the Pattern and Decoration movement’s defiant embrace of forms traditionally coded as feminine, domestic, ornamental, or craft-based and thought to be categorically inferior to ....

United States , Los Angeles , Rebecca Skafsgaard Lowery , Hanna Katz , Dee Shapiro , Tom Eccles , Betty Woodman , Emma Amos , Joyce Kozloff , Robert Zakanitch , Merion Estes , Kim Macconnel , Alex Kitnick , Miriam Schapiro , Hamza Walker , Valerie Jaudon , Billy Al Bengston , Barbara Zucker , Marieluise Hessel , Rebecca Lowery , Takako Yamaguchi , Sarah Neel Smith , Robert Kushner , Kendall Shaw , Kayleigh Perkov , Yale University ,

Colby Chamberlain on the art of Dave McKenzie - Artforum International


Colby Chamberlain on the art of Dave McKenzie
Bobblehead from Dave McKenzie’s
While Supplies Last, 2003, performance, poly-resin figures, 7 × 2 1⁄2 × 2 1⁄2 .
“I KNOW YOU ARE DAVE, but who is Dave?” Sixteen years ago, in these pages, the artist Glenn Ligon recounted how a stranger once posed this question to Dave McKenzie’s face. Or rather, she posed it to a papier-mâché approximation of his face, which McKenzie wore while he handed out bobblehead figurines of himself during an opening at SculptureCenter in New York. Ligon floated a few possible rejoinders: Dave was a dancing machine; Dave felt your pain; Dave wanted to be like Mike; Dave believed he could fly; Dave was a dime-store Jesus, for whom made-in-China tchotchkes were the bread and wine of a secular communion. These musings riffed on McKenzie’s various attempts to embody public figures, such as when he marched through Harlem sporting a rubber mask of ....

United States , New York , Columbia University , Museum Of Modern Art , Lower East Side , New Jersey , Whitney Museum Of American Art , Laylah Ali , Thelma Golden , Kalup Linzy , Clifford Owens , George Zimmerman , Huey Copeland , Whitney Houston , Rachel Mason , Trayvon Martin , Bruce Nauman , Henry Kissinger , Anissa Mack , Glenn Ligon , Marina Abramovic , Cliff Huxtable , George Bush , Julie Mehretu , Dave Mckenzie Babel , Carrie Mae Weems ,