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Artists responding to turmoil: University Museum of Contemporary Art offers three new exhibits


Like museums on many college campuses during the past year, the University Museum of Contemporary Art (UMCA), the largest exhibition space at the University of Massachusetts Amherst, has struggled with the effects of the pandemic, forced to close to the public and for the most part to the campus community.
But UMCA is now on the verge of reopening to students, faculty and staff with three new exhibits, all of which are available for viewing online through April 30.
Among them is a first for this region, says UMCA Director Loretta Yarlow: a comprehensive exhibit of works going back 35 years by Alison Saar, a renowned sculptor and printmaker who has explored the history of slavery in the U.S. and issues such as race and culture in her art. ....

New York , United States , Republic Of , Museum Of Modern Art , Metropolitan Museum Of Art , Jill Hughes , Betye Saar , Liz Chalfin , Jessica Scott , Steve Watson , Laurie Anderson , Amanda Herman , Richard Saar , Kara Lynch , Los Angeles , Loretta Yarlow , Sol Lewitt , Franklind Roosevelt , Zea Mays , Steve Pfarrer , Carol Huebner Venezia , Alison Saar , Robert Kushner , Museum Of Art , University Of Massachusetts Amherst , Smith College Museum Of Art ,

Wood Gaylor and American Modernism


Wood Gaylor and American Modernism
HUNTINGTON, New York
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GAYLOR, (Samuel) Wood (American, 1883-1957) Arts Ball, 1918, 1918 Oil on canvas 27 x 45 in. (68.6 x 114.3) Private Collection
Heckscher Museum
On View January 23 to May 23, 2021, at The Hecksher Museum of Art
Scenes of festive revelers, clowns and performers and his fellow artists are the signature subject matter of Wood Gaylor’s raucous paintings.
Wood Gaylor and American Modernism includes two dozen artworks by Gaylor.  The artwork is interspersed with paintings, sculptures, and drawings from The
Heckscher Museum’s collection representing artists that traveled in Gaylor’s social and artistic circles.  ....

New York , United States , Glenwood Landing , Portland Museum Of Art , Heckscher Museum , Whitney Museum Of American Art , Ogunquit Museum Of American Art , Wood Gaylor , Walt Kuhn , Karli Wurzelbacher , August Heckscher , Heckscher Museum Of Art , Theheckscher Museum , Hecksher Museum Of Art , Fleming Museum Of Art , Penguin Group , Smith College Museum Of Art , National Register Of Historic , University Of Vermont , Bernard Goldberg Fine Arts , View January , Hecksher Museum , American Modernism , New York City , Arts Balls , Adelaide Lawson ,

Autumn Journal on Autumn Journal: 20-22


“So much for Christmas”
Vita brevis, ars longa. The week before Christmas finds MacNeice in London’s National Gallery. Outside, movement continues and suggests ephemerality. Inside, “Other worlds persist,” caught and elevated to significance by the artists’ attention, by the achievements of form.
Last March, sensing how things were going and that museum doors would soon be shut, I stole an hour between meetings to duck into the Smith College Museum of Art. The visit felt like a last leave-taking from old friends (I took quick photographs of some favorite works) and like a farewell to the very act of standing in front of paintings (as opposed to staring at reproductions). During the intervening months, that experience of seeing art, of finding some consolatory order and endurance in the frame, was one I keenly missed. I’ve been able to get back into galleries lately, and I have found the frantic rhythms of my mind soothed by those long moments before the canva ....

France General , United Kingdom , Languedoc Roussillon , Nord Pas De Calais , City Of , Comunidad Autonoma De Cataluna , Christmas Rose , Primrose Hill , Michael Thurston , Smith College Museum Of Art , London National Gallery , Autumn Journal , Winter Jewels , Flower Farm , Smith College Museum , Christmas Day , Nicholas Cathedral , Popular Front , பிரான்ஸ் ஜநரல் , ஒன்றுபட்டது கிஂக்டம் , ல்யாஂகெடாக் ரஸ்ஸிலன் , நார்ட் பாஸ் டி கலேஸ் , நகரம் ஆஃப் , காமுனிடட தன்னாட்சி டி கடலுள் , கிறிஸ்துமஸ் உயர்ந்தது , ப்ரிம்‌ரோஸ் மலை ,

Autumn Journal on Autumn Journal: 20-22


“So much for Christmas”
Vita brevis, ars longa. The week before Christmas finds MacNeice in London’s National Gallery. Outside, movement continues and suggests ephemerality. Inside, “Other worlds persist,” caught and elevated to significance by the artists’ attention, by the achievements of form.
Last March, sensing how things were going and that museum doors would soon be shut, I stole an hour between meetings to duck into the Smith College Museum of Art. The visit felt like a last leave-taking from old friends (I took quick photographs of some favorite works) and like a farewell to the very act of standing in front of paintings (as opposed to staring at reproductions). During the intervening months, that experience of seeing art, of finding some consolatory order and endurance in the frame, was one I keenly missed. I’ve been able to get back into galleries lately, and I have found the frantic rhythms of my mind soothed by those long moments before the canva ....

France General , United Kingdom , Languedoc Roussillon , Nord Pas De Calais , City Of , Comunidad Autonoma De Cataluna , Christmas Rose , Primrose Hill , Michael Thurston , Smith College Museum Of Art , London National Gallery , Autumn Journal , Winter Jewels , Flower Farm , Smith College Museum , Christmas Day , Nicholas Cathedral , Popular Front , பிரான்ஸ் ஜநரல் , ஒன்றுபட்டது கிஂக்டம் , ல்யாஂகெடாக் ரஸ்ஸிலன் , நார்ட் பாஸ் டி கலேஸ் , நகரம் ஆஃப் , காமுனிடட தன்னாட்சி டி கடலுள் , கிறிஸ்துமஸ் உயர்ந்தது , ப்ரிம்‌ரோஸ் மலை ,