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'Feminist-lite' production sends all the wrong messages


‘Feminist-lite’ production sends all the wrong messages
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By Cassie Tongue
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★★½
It’s fascinating to see feminist plays that men choose to produce and direct.
Spike Heels, by Theresa Rebeck, is a play from 1990, and the weight of three decades gives the work an awkward heaviness it can’t defeat.
With a step back, you can understand why Crashing Water Theatre Company and director Serhat Caradee chose it; company member Joshua Horwitz has a plum role and the play is generous towards it male characters, even when they objectify women or threaten them with sexual assault. It’s a play written by a woman highlighting bad male behaviour, but it makes room for the men to revel in behaving badly. Their abuse serves punchlines more than it serves emotion; it’s rich in anger but light on consequence. ....

Edward Horwitz , Jessica Saras , Lydia Kate Hardy , Spike Heels , Kate Hardy , ஸ்பைக் குதிகால் , கேட் ஹார்டி ,