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THQ Nordic & Alkimia Interactive Are Developing A Remake Of Gothic
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A Retelling of a Gothic Story
The remake train cannot be stopped, but it does occasionally drop off the map for two years. We blame the pandemic. Whatever the case, we’re happy to see the remake of 2001 cult classic RPG Gothic once again underway. THQ Nordic announced today that they’d incorporated a new studio, Alkimia Interactive, which has set up an office in Barcelona, Spain. Alkimia will focus on developing RPG and action-adventure games, beginning with the Gothic remake for Next-Gen systems and PC. Speaking of that project, judging by this comparison trailer, it’s going well so far. We can’t wait to see what it’ll look like when it’s finished.
OFFICIAL PRESS RELEASE Showtime
ViacomCBS announced today that the highly anticipated upcoming original drama series HALO will premiere exclusively on Paramount+. SHOWTIME is producing the series in partnership with 343 Industries and Amblin Television. Currently in production in Budapest, HALO is set to premiere on Paramount+ in early 2022. The announcement was made today by David Nevins, Chief Creative Officer, CBS & Chairman and Chief Executive Officer, Showtime Networks Inc. From all the early glimpses we ve seen, it s crystal clear that HALO is a visually stunning thrill-ride, anchored in riveting, character-driven storytelling, said Nevins. With such tremendous appeal to every audience, we realized HALO had the potential to become a defining show for what will become the broadest streaming platform at ViacomCBS - the new Paramount+. And SHOWTIME is looking forward to continuing to produce this incredible series with 343 and Amblin for Paramount+.
Halo series headed to Paramount+
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âBowled overâ as Nyapanyapa Yunupingu shoots to a higher firmament
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February 19, 2021 â 3.00pm
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Itâs rare to step into an exhibition and feel bowled over, but this was the case with Nyapanyapa Yunupinguâs exhibition,
The Little Things, at Roslyn Oxley9. Over the past decade Nyapanyapa has been a shooting star in the Indigenous art firmament but with this body of work she has moved onto another plane.
Itâs tempting to avoid the âIndigenousâ label because, taken purely as an collection of paintings, this show would be a stand-out in any gallery anywhere in the world. To call this work âIndigenous artâ might be seen as a way of putting it into a pigeonhole and thereby limiting its impact. Yet it could also be argued that for any discussion of Nyapanyapaâs art itâs vital to understand her identity
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