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Sophie Taeuber-Arp s Composition à cercles et demi-cercles (1938) Arp Museum Bahnhof Rolandseck
When Sophie Taeuber took to a Zurich stage in 1917 (long before marrying Jean Arp and, as per Swiss custom, tacking his name onto the end of hers), the Cabaret Voltaire and Dada founder Hugo Ball sat in the audience and watched her dance. He saw a goldfish, darkness, questions, a child, an angel, invention, caprice, wit. “Sophie Taeuber,” he later wrote, “is completely different”.
The major survey
Sophie Taeuber-Arp: Living Abstractions, which opens this week at the Kunstmuseum Basel, is dedicated to the miraculously unfixable career heralded by that performance. The exhibition will travel to New York’s Museum of Modern Art (MoMA) in the autumn the Swiss artist’s first US survey in 40 years by way of London’s Tate Modern in July. The latter will be a first ever for the British public, which, save for a couple of works on paper in the Vic
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Kennedy Museum of Art reopens with exhibit honoring two Graphic Design emeriti faculty Published: January 28, 2021 Author: Kelee Garrison Riesbeck, BSJ, CERT ‘91
The Kennedy Museum of Art opens
Legacy: Don Adleta and Karen Nulf, 60 years of graphic design Feb. 1, 2021, marking the re-opening of the museum due to the pandemic.
Reservations are by appointment and gallery viewing aligns with Ohio University’s COVID protocols. Visitors are encouraged to prebook at KMA’s website at www.ohio.edu/museum or Facebook page before visiting the museum. Please contact Lori Spencer at 740-593-0952 or stumpl@ohio.edu, with questions.
Legacy chronicles the contributions of two professors emeritus of graphic design, Don Adleta and Karen Nulf, and their 60 years of combined teaching and creative ventures at Ohio University. The exhibition unfolds a journey from creative research in drawing and photography to professional ventures highlighting sensitivity to typography
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