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The Quietus | Reviews | Shirley Collins


A new collaborative EP finds Shirley Collins living her best life
Shirley Collins’ late life renaissance is one of the most heartening stories of the past few years. Since she returned, triumphant, in 2016 with her first album for forty years, Collins has enjoyed the acclaim of an audience delighted by her reignited cultural role. Her follow-up,
Heart’s Ease, provided balm when it was needed most last year. Now, at the age of eighty-six, she releases
Crowlink, a collaborative EP which contains the most experimental work she has ever recorded. Embedded deep in her homeland, the South Downs chalk, the music seems to emanate from the land itself in a powerful affirmation of identity and place. Crowlink, high on the South Downs above the Seven Sisters, is Shirley’s favourite place “to sit and think about what’s gone, and what is to come”. It is where separation between realities has worn thin. ....

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Shirley Collins: Crowlink EP


Open share drawer
Interspersed with birdsong, new age synth, and poetry recitations, a new EP from the English folk singer returns her songs to the elements that inspired them.
Featured Tracks:
My Sailor Boy — Shirley CollinsVia SoundCloud
Shirley Collins’ new EP begins with the octogenarian folk singer reciting a short stanza of a poem, her only accompaniment a flock of birds and the gentle brush of a breeze. “One morning in the month of May, when all the birds were singing,” she says, bending the rhythm of the words slightly upward, as though posing a question to the listener. “I saw a lovely lady stray across the fields at break of day and softly sang a roundelay.” It’s a short, simple musing on the motivation to make art and the passage of time—which is fitting because Collins has been singing a version of this song her entire life. The new track is called “Across the Field,” but Collins has long known it as ....

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