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Houston's "Seven Wonders" Are a Time Capsule for the City


Houston s
The towers, also called
Pillars of the Community, commemorate the Bayou City s 150th anniversary.
By
Emma Schkloven
2/8/2021 at 11:00am
Published in the December 2020 issue of
Houstonia
It’s impossible to miss the seven towering pillars as you stroll along the Sesquicentennial Park promenade or across Preston Street Bridge. By day, the looming 70-foot structures that make up
Seven Wonders echo the city’s impressive skyline, while they double as enormous lanterns that bathe the nearby Buffalo Bayou and the back of the Wortham Center in a warm glow by night. Yet
Seven Wonders, also called
Pillars of the Community, is far more than just a hat-tip to local architecture or a ginormous night light. It is designed to act as a time capsule, a history book, and a crystal ball—capturing a single moment of Houston life, commemorating a historic event, and looking toward the city’s future all at once. ....

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HGO's Concert of Arias | Houston Press


Imagine you are a young singer, hoping for a career in opera and you ve worked hard enough, been good enough and had enough stamina to reach the finalist stage of a competition where you ll be performing before a theater jammed with opera lovers.
But now instead of facing a live audience at your big moment, you are instead greeted with facsimiles of people: 2D cardboard cutouts filling the seats as you sing two arias in the course of the evening before a panel of judges. The rewards are still the same recognition, prize money, possible accepted into a respected training program but the ambience, well it ll be a bit different. ....

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Preview: HGO's A Celebration of Black Artists in Opera and Song


This Friday, Houston Grand Opera will present a special digital concert:
Giving Voice 2021: A Celebration of Black Artists in Opera and Song whose co-hosts are the acclaimed tenor Lawrence Brownlee and Houston- favorite, soprano Nicole Heaston.
The idea s was Brownlee s, Heaston said, and the international star rounded up herself and other African American singers who will be performing a range of songs in concert from opera to Broadway to gospel. It follows a sold-out, in-person concert Brownlee put together in January 2020 (pre-COVID) along the same lines that attracted a diverse audience.
A lot of the time people don t feel like opera is for everyone. They feel like it is for a certain, select few. Especially in the Black community  a lot of them don t even recognize that there are a lot of African Americans that sing classical music, said Heaston. ....

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Opera | Houston Press | The Leading Independent News Source in Houston, Texas


February 17 at 4:37 p.m.
On the morning of September 22, 2015, in a rural area of Ontario, Canada, a man went on a killing spree, murdering three former female partners in their separate residences. The tragedy hit close to home for Canadian baritone Joshua Hopkins one of the women was his sister. As.
February 2 at 4 a.m.
Imagine you are a young singer, hoping for a career in opera and you ve worked hard enough, been good enough and had enough stamina to reach the finalist stage of a competition where you ll be performing before a theater jammed with opera lovers. But now instead of facing a live. ....

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Houston Grand Opera's 'Giving Voice' gives platform for Black opera singers


Houston Grand Opera’s ‘Giving Voice’ gives platform for Black opera singers
By Chris Gray, Correspondent
Appearing in Houston Grand Opera’s production of “The Pearl Fishers” in early 2019, Lawrence Brownlee looked around him and experienced something of a revelation.
“The cast was so beautifully diverse, and I just thought, ‘Wow, this is great,’ recalls the Ohio-born singer. “Houston Grand Opera has a longstanding tradition of doing color-blind casting anyway, and so to see that they were continuing that idea was something that spoke to me.”
Brownlee is, simply put, one of the world’s leading operatic tenors. For HGO, he’s appeared in six productions since 2007, also including Mozart’s “The Abduction From the Seraglio” as well as Rossini’s “The Italian Girl in Algiers” and “The Barber of Seville.” Hoping to cultivate the same kind of diversity in the audience that he saw onstage, he used his connections wit ....

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