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This is the second of a series of articles on films screened at the San Francisco International Film Festival, held April 9-18. The first part was posted April 13. The recent San Francisco film festival had an almost inevitably schizophrenic character. Many of its official pronouncements, and this is the case at every festival at present, speak to the current obsession with identity politics in sections of the middle class. To a certain extent, however, the best filmmakers suggest the source of our problems lies elsewhere, in the harshness of life imposed on men and women of every ethnicity and gender by global capitalism. ....
I won’t be surprised if I’m Fine (Thanks For Asking) ends up a prizewinner at this year’s San Francisco International Film Festival. Written and directed by Kelley Kali and Angelique Molina, it’s the best Festival entry I’ve seen so far an even more impressive accomplishment considering it was produced in the middle of a pandemic, seamlessly weaving masking and social distancing into its story. With the Festival wrapping up on Sunday April 18, there are only a few days left in which to stream I’m Fine, so don’t sleep on it. Co-director Kali also appears in front of the camera as Danny, a single mother sleeping rough with eight year-old daughter Wes (Wesley Moss) in the scrublands bordering Pacoima, California. Left at loose ends by the unexpected death of husband and father Sam, Kali earns a meager living braiding hair and delivering fast food. ....
Posted on Wednesday, March 17th, 2021 by Marisa Mirabal “How are you doing?” is a deceiving question despite its simplicity, especially when the inquiry is posed during a deadly pandemic. Many of us force smiles and internally debate whether to tell the hard truth or sugarcoat the answer. Writer/director duo Kelley Kali and Angelique Molina understand what people truly mean when they respond with quite literally, “I’m fine…thanks for asking”, which makes the statement a perfect title for their debut feature. If there’s any film released thus far that captures the pain, perseverance, and even pleasures of 2020, it’s theirs. ....