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Tucson Weekly: Rhythm & Views (January 14 - January 20, 1999)

Tucson Weekly: Rhythm & Views (January 14 - January 20, 1999)
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New yorkUnited statesDebbie harryTom verlaineRichard hellRon ballyLenny kayeAlan vegaJonathan richmanJohn felicePere ubuDee ramoneJello biafraPatti smithGlen danzigClinton heylin

Why the Swagger of Vivienne Westwood s 1981 Pirate Collection Resonates 40 Years On

Vivienne Westwood, fall 1981 ready-to-wear Photo: David Corio / Redferns Forty years after Vivienne Westwood and Malcom McLaren staged their first fashion show, full of pirate looks, swagger has returned to the runways. Itâs present in Rick Owensâs elegantly tattered dresses (a wink at Schiapâs tear print perhaps) and in Matty Bovanâs high-seas fantasies. Both boast an imperfect glamour that resonates in a time when many are feeling shipwrecked by the pandemic. A little bit of swashbuckling bravado might be just what we need to keep up the fight. Westwood and McClaren showed Pirates about six months before the wedding of the Prince of Wales and Lady Diana Spencer, and a few months after Adam Ant had hired Malcolm McLaren for a post-punk rebranding. In a 1981 interview the musician recalled that McLaren was then fascinated with the 1980 movie

United statesUnited kingdomCity ofMatty bovanAdam antMalcolm mclarenVivienne westwoodLady diana spencerSteve strangeMalcom mclarenHelen robinsonRichard buckleyMichael wattsRick owensBlank generationNew romanticism

Bay Area Reporter :: To Hell and back - Q-music on Richard Hell, the Fleshtones and new bands

Blank Generation, Richard Hell and the Voidoids were at the forefront of the New York punk scene. Hell, who had done time with Television and Johnny Thunders the Heartbreakers, elevated the punk art form on the first album, but then struggled to follow it up with Destiny Street five years later. This was at a time when punk/New Wave bands (see The Ramones, Blondie, Talking Heads) were cranking albums out at about one (sometimes two) a year. The expanded and remastered double disc reissue Destiny Street Complete (Omnivore) features three versions of the same album 1982 s original Destiny Street, a 2009 version (

New yorkUnited statesMarc ribotRichard hellAlan parsonsIvan julianNick zinnerRobbie chaterKurt vilePerry farrellJohnny marrAlex trebekNeneh cherryMick jonesBill frisellNighttime party

Richard Hell Destiny Street | Richard Hell interview

Ending with Destiny Street Demos (1978-1980), filled with additional songs that didn’t make the final cut, every part of Destiny Street Complete functions as its own individual work. The songs were never a problem, and the original album worked as it was. But all these alternate universe versions are equally valid as well, whether listened to discretely or as a whole. The album is the focus of the conclusion of our chat. The occasion upon which we are having our first-ever conversation is a most interesting version of an album I love, but you apparently were not pleased with it.

United statesUnited kingdomTom verlaineBob quineMarc ribotPatti smithLou reedNick zinnerRichard hellIvan julianRobert quineFred maherMarty thauTom waitsBill frisellBritish invasion

Richard Hell and the Voidoids | CBGB Punk | Alternative Press

Destiny Street Complete, a two-disc reimagining of Hell’s least favorite entry in his brief discography, consisting of four different versions of the album: 1. The original release; 2. Destiny Street Repaired, a 2009 reinterpretation featuring new vocals and new guitar parts from Marc Ribot, avant jazzer Bill Frisell and original Voidoid Ivan Julian; 3. Destiny Street Remixed, sonic surgery done to the original 24-track master tapes by Hell and Destiny Street Demos (1978-1980), which should be self-explanatory. We took the set’s release as an opportunity to discuss his role in punk history and the record that’s finally in a form he’s comfortable with.

New yorkUnited statesRepublic ofLower east sideTom verlaineOnmarquee moonandBo diddleyIggy popElvis presleyRichard hellMartin luther kingJohnny thunderBuddy hollyLos angelesBill frisellMartin scorsese