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The world's first robot artist discusses beauty, Yoko Ono and the perils of AI

The world's first robot artist discusses beauty, Yoko Ono and the perils of AI
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Joan Kee on Chao-Chen Yang's Apprehension, ca. 1942 - Artforum International


PHOTOGRAPHY MAY BE AT THE PERPETUAL MERCY of scalar adjustment, but
Apprehension is among those images whose intensity remains constant no matter where it is seen. Its central feature is the magnified face of a young Asian man who grasps a telephone receiver as he might a cudgel. Deep furrows are etched into his forehead, and a lock of hair falls across his face. Two errant hairs extending beyond his eye read like fracture lines portending some future dissolution or rupture. Illuminated from an unseen source below, the man’s face is a terrain of shadow and light. His flesh becomes a histrionic play of rose and gold that recalls both the lurid eroticism of midcentury pulp illustration and the imbrication of Baroque religious painting with secular drama. ....

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A question from Ally Pally staff - when was first big standing gig at the palace?


A question from Ally Pally staff - when was first big standing gig at the palace?
They ve asked for our help in accessing the local mindhive!
Do you have any memories of gis gone by? Can you help?
Tags (All lower case. Use for multiple word tags):
Permalink Reply by Gill on March 21, 2021 at 12:58
Post on Twitter - I can t find their account. Also contact old NME/Melody Maker reviewers such as Danny Baker, who has a phenomenal memory. And if he doesn t know then he ll make it his mission to find out.
It has been on twitter a few times. ....

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Art, Culture, and Healing the World: A Conversation with Haema Sivanesan


Photo by Laura Gildner
Haema Sivanesan is a curator at the Art Gallery of Greater Victoria (AGGV), British Columbia. She has held leadership and curatorial positions in public galleries and visual art centers across Canada, as well as in Australia and South Asia. Her curatorial work typically focuses on art from South and Southeast Asia and its diasporas, with an interest in non-Western post-colonial and trans-national histories, world views, and practices. Recent exhibitions include: 
Imagining Fusang: Exploring Chinese and Indigenous Encounters (2019), 
Fiona Tan: Ascent (2019)
Supernatural: Art, Technology and the Forest (2018).
In 2018, Sivanesan was a recipient of an Andy Warhol Foundation for the Visual Arts, New York, Curatorial Research Fellowship (2018–19); and in 2016, she was a recipient of a Robert H. N. Ho Family Foundation, Hong Kong, multi-year research and exhibition development grant for the project  ....

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