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In Philadelphia, Explore How Old Masters Influenced Expressionists


March 12, 2021
Given my general preference for art created before World War II, it would seem trundling along to view the new exhibition, “Soutine/de Kooning: Conversations in Paint” which opened last weekend at the Barnes Foundation in Philadelphia wouldn’t be on the cards. Yet this intriguing show not only shines a deserving spotlight on a truly intense, talented artist but also reveals a great deal about the unexpected art-historical influences on an artist whose work I’ve always disliked. Who says you can’t teach a middle-aged art critic new tricks?
Expressionist painter Chaïm Soutine (1893–1943) and Abstract Expressionist painter Willem de Kooning (1904-1997), although only a decade apart in age, inhabited very different artistic worlds. Both left the lands of their birth Russia and The Netherlands, respectively to make their fortunes elsewhere. ....

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Seeing Chaïm Soutine through the eyes of Willem de Kooning


The bride stripped bare by her bachelor, even? Soutine’s The Communicant (The Bride) (around 1924) and De Kooning’s Woman II (1952)
© ARS, photo © Christie’s; © Willem de Kooning Foundation/ARS, Photo: © MOMA
In 1977 an interviewer asked a 73-year-old Willem de Kooning which artists had inspired him and got a somewhat unexpected answer. “I’ve always been crazy about Soutine all of his paintings,” the Abstract Expressionist said of his Paris School predecessor, Chaïm Soutine. “Maybe it’s the lushness of the paint.” Soutine’s sinewy portraits of pastry chefs do not immediately bring to mind De Kooning’s colourful action paintings, but the resemblance will become clearer in the side-by-side comparisons of 45 paintings at Philadelphia’s Barnes Foundation this week. ....

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