Entries for The Architecture Drawing Prize 2021 Are Now Open archdaily.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from archdaily.com Daily Mail and Mail on Sunday newspapers.
Other photos. The popularity of architectural drawing is unquestionable. The fourth edition of the
Architecture Drawing Prize, curated by Make Architects, Sir John Soane s Museum and the World Architecture Festival, attracted numerous entries in the three classic categories:
hand-drawn, hybrid and digital. The
Lockdown Prize is a fourth category added this year, the winner of which was selected from among the winners of the other three categories.
The overall winner of the Architecture Drawing Prize is
Apartment #5, a Labyrinth and Repository of Spatial Memories, by
Clement Laurencio of the Bartlett School of Architecture, UCL, the drawing which also won in the
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The World Architecture Festival has announced the winners of the Architecture Drawing Prize 2020. Entries were chosen in the Digital, Hand-drawn and Hybrid categories. The contest included 165 entries from 30 countries, and the 2020 competition also introduced the ‘Lockdown Prize’ focusing on the global pandemic, awarded to a drawing related to the architectural changes brought by the coronavirus.
WAF is the world’s largest annual, international, live architectural event. It includes the biggest international architectural awards program in the world. Curated by WAF, Sir John Soane’s Museum and Make Architects, this prize embraces the creative use of digital tools and digitally produced renderings, while recognizing the enduring importance of hand drawing.
There’s a gently anarchic spirit to William Greaves’s 1968 experimental documentary
Symbiopsychotaxiplasm: Take One, which follows Greaves and his crew as they attempt to film two actors staging a breakup scene in Central Park. This description barely scratches the surface of what’s really going on: Greaves himself is playing a role, that of the bumbling director but he’s the only one in on it. The script is melodramatic; the actors mostly a middle-class white couple, but other actors of different ages, backgrounds, and races are swapped in and out overact; the crew instructed to always have three cameras going, on the scene, the crew, and the park itself stages a mutiny. Unbeknownst to Greaves, they film their grievances and critiques and present them to him once it’s all over (these make up three major sections of the movie). As one crew member remarks, this is a movie about power. But as it turns out, that was the conceit all along: at one point, Greaves explains that