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Top 10 arts events for Sarasota-Manatee: May 27-June 2

Top 10 arts events for Sarasota-Manatee: May 27-June 2
Our weekly guide to the best in Sarasota-Manatee performing and visual arts events.
Art matters at Sarasota Art Museum
Saturday marks the opening day of the first comprehensive retrospective of the painter Robert Colescott with the exhibition “Art and Race matters: The Career of Robert Colescott.” On display through Oct. 21, the exhibit features 53 works produced during 50 years of a prolific career. His colorful and lively paintings tinged with satire have confronted a variety of issues related to race, gender, identity and the challenges of living in the United States in the second half of the 20th century. The exhibition was curated by Lowery Stokes Sims and organized by Raphaela Platow and originated at the Contemporary Arts Center in Cincinnati. Stokes is the recipient of the Sarasota Art Museum’s first Cura Award, recognizing significant achievements in art curation. The museum is at 1001 S. Tamiami Tr ....

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George Lucas's Museum Bought Robert Colescott's Wry Depiction of the American Revolution for $15.3 Million at Sotheby's

The Lucas Museum, which won the painting after a seven-minute bidding war, called the picture "the apex work" in Colescott's career. ....

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Robert Colescott's Caustic Satire of 'Washington Crossing the Delaware' Is Poised to Reset the Artist's Market at Sotheby's Next Month

Robert Colescott,
George Washington Carver Crossing the Delaware: Page from an American History Textbook (1975). © 2019 Estate of Robert Colescott / Artist Rights
Society (ARS), New York. Photo: Jean Paul Torno.
The late American painter Robert Colescott’s charged satire of
Washington Crossing the Delaware will hit the auction block next month and it is poised to smash the late artist’s current auction record.
George Washington Carver Crossing the Delaware: Page from an American History Textbook, as the artist’s landmark 1975 canvas is called, is set to highlight Sotheby’s contemporary art evening auction in New York on May 12. It’s estimated to go for $9 million to $12 million that’s roughly 10 times Colescott’s current auction record of $912,500, set in 2018. ....

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Visit the 31st Annual James A. Porter Colloquium on African-American Art and Art of the African Diaspora on Friday, April 16

Visit the 31st Annual James A. Porter Colloquium on African-American Art and Art of the African Diaspora on Friday, April 16
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Countering the Fetishization of Indigenous Art

Countering the Fetishization of Indigenous Art
How contemporary Native artists are evading recognition and visibility for a more speculative indigenous futurism
In 1991, James Luna invited audiences at the Whitney Museum of American Art to stand on a small riser with him – or alongside one of three life-size, cardboard cut-outs of him shirtless in a beaded necklace or ornate headdress – to ‘take a picture with a real Indian’. It was a precipitous moment for both the institution and the wider art world: two years later, the museum would host the decisive ‘identity politics’ Whitney Biennial (curated by Thelma Golden, John G. Hanhardt, Lisa Phillips and Elizabeth Sussman) that conventional wisdom suggests began a slow tectonic shift toward greater inclusiveness and ‘globalization’. In 1992, to mark the quincentenary of Christopher Columbus’s arrival in the Americas, Coco Fusco and Guillermo Gómez-Peña toured a performance as ‘Amerind ....

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