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Baltimore Museum of Art

Baltimore Museum of Art
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How the Studio Museum in Harlem Transformed the Art World Forever

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How the Studio Museum in Harlem Transformed the Art World Forever
Essay by Salamishah Tillet; Photographs by John Edmonds; Styling by Miguel Enamorado
Feb 26, 2021
JOHN EDMONDS
Betye Saar. Faith Ringgold. Mickalene Thomas. Julie Mehretu. Simone Leigh. Jordan Casteel. These are only a few of the Black women artists who have recently exhibited in the nation’s largest museums, like the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim, and the Getty. But long before, it was the Studio Museum in Harlem that had the foresight and intuition to show their work, linking these women both to one another and to generations of Black artists, curators, and critics who have helped reshape American art history over the past 50 years. ....

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'Approach Every Black Artist as a World-Maker': Art Historian Bridget Crooks on the Need for an Expansive Definition of Blackness

Bridget Cooks, author of "Exhibiting Blackness," steaks with Folasade Ologundudu about the changing field of Black art history. ....

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'Approach Every Black Artist as a World-Maker': Art Historian Bridget Cooks on the Need for an Expansive Definition of Blackness

Bridget R. Cooks. (Photo by Evelina Pentchev.)
This article is part of a series of conversations with scholars engaged with Black art for Black History Month. See also Folasade Ologundudu’s interviews with Richard J. Powell, Darby English, and Sarah Lewis.

In her much-discussed 2011 book,
Exhibiting Blackness: African Americans and the American Art Museum, Cooks looked at the ways that museums have perpetuated racial inequity through the presentation and curation of African American and African diaspora artists. Her account started with the very first show in America featuring African American artists, at the Art Institute of Chicago in 1927, and continued into the 21st century with the reception of figures including the Gee’s Bend quilters. ....

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