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After our four-column letter on the Texas law halting abortions, two Urbana Daily Citizen items call for responses. Chris Creamer (Sep. 9) wrote that my le ....
By John Mulderig • Catholic News Service • Posted April 30, 2021 NEW YORK (CNS) Back when telegrams were the emails of their day, playwright Moss Hart may have been the first to observe, “If you’ve got a message, call Western Union.” Whether Hollywood mogul Samuel Goldwyn ever echoed that sentiment, the advice continues to hold true for screenwriters today. Stories designed to win an argument rarely make for effective entertainment. A case in point: the historical dramatization “Roe v. Wade” (Quiver). Good intentions can only partially sustain this re-creation of events surrounding the landmark 1973 Supreme Court case that legalized abortion across the United States. So even those movie fans most committed to the cause of life will be unable to overlook its aesthetic shortcomings. ....
Comedian Jamie Kennedy discussed his role in the upcoming pro-life film Roe v. Wade, in which he mentioned that he “got educated on certain things” regarding the topic of abortion. “When I started this movie, I was pro-choice. As I did this movie, I am still pro-choice, but I got educated on certain things that I have questions about, and I believe that, ultimately, it’s a woman’s right to choose. But I do have questions,” Kennedy said in a recent interview with Daily Beast. Kennedy plays Larry Lader, an abortion-rights activist and founder of the NARAL Pro-Choice America organization, in ....
Comedian Jamie Kennedy on His Role in 'Roe V Wade' Film: 'I Got Educated on Certain Things' breitbart.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from breitbart.com Daily Mail and Mail on Sunday newspapers.
We weren’t especially big fans of Nick Loeb and Cathy Allen’s recent Roe V. Wade, granting an F grade to the stridently right-wing (and yet, not even entertainingly bonkers) anti-abortion movie. Indeed, the film ended up seemingfar more interesting for its behind-the-scenes struggles than for the highly skewed version of history it was trying to tell; Loeb and co. famously had a very hard time making it, because, as soon as people got a grasp of the movie’s real intent including actors, crew people, and Loeb’s own original co-director they bailed on the project en masse. Those who stayed essentially formed a grab-bag of right-stumbling Hollywood and online elites, from Jon Voight, to Tomi Lahren, to the blessedly-mostly-forgotten Milo Yiannopoulis. Oh, and Jamie Kennedy, for some reason. ....