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Essential Arts: How Paul Pescador uses cartoons to explore intimate and civic spaces


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The weekend is young, and I’m feeling partial to patty melts and Bloody Marys (with gobs of horseradish,
por please). I’m
Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, with the week’s essential culture news and chihuahua imitators.
Our cartoon avatars
The
cartoon is endlessly malleable, able to serve as a staple of children’s programming even as it questions gender norms (e.g. Bugs Bunny) or functions as a proponent of U.S. foreign policy (may I introduce you to U.S. soft power ambassador Donald Duck?).
Artist
Paul Pescador is interested in cartoons for those reasons but for many others, too: their saturated color, their emotionality cartoons are pure melodrama and their ability to render bodies in inventive ways. “There is no more abstract version of the body than the cartoon,” says Pescador. “You shift a pencil line and you make something more curved, and you make it more feminine. It ....

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The Big Review | Made in LA 2020: A Version


Weaving stories: Christina Forrer’s tapestry Gebunden II (2020), at the Hammer Museum, examines family relationships. Left, in the foreground, is part of Nicola L.’s La Chambre en Fourrure, an interactive work that cannot be touched in the Covid-19 era
© Joshua White
With fragrant, flowering walkways, the Huntington Library, Art Museum and Botanical Gardens was designed for leisurely strolls. But these days, paths near the American art galleries lead to a small junkyard: a broken fan, some old carpeting, a chest missing its drawers and other discarded objects spread out on the ground. It looks like the makings of a homeless encampment. And it is almost, but not quite, a work of art in the Hammer Museum’s new biennial, Made in LA 2020: A Version, which this year takes place at the Huntington as well as the Hammer. ....

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