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Carvalho Park opens the first exhibition of Paris-based artist Garance Vallée in the United States Installation view. BROOKLYN, NY .-Carvalho Park announces the first exhibition of Paris-based artist, designer and architect, Garance Vallée, in the United States. Portrait de Famille, a solo exhibition, features a suite of paintings, drawings and sculptures of Vallées distinct and indelible language. Portrait de Famille, is on view at Carvalho Park in Brooklyn until March 20. Vallées scenes are an invitation into her singular vision. Of an articulated Surrealist doctrine, these interior spaces are suspended between representation and non, volume and silhouette, tangibility and fiction, inquiry and play. These are inhabitable, contemplative spaces, filled with precise forms. At once environment and still life, Vallées scenes tilt towards abstraction as forms oscillate between two and three-dimensionality. Vallées objects tempt us to pluck them from ....
What “weird Catholicism” reveals about the language of the internet In the era of social media no institution, not even those most defiantly removed from the shifting winds of fashion, can entirely avoid getting weird. By Justin E. H. Smith When the New York Times Magazine ran its profile of the “Weird Catholic Twitter” (WCT) community in May 2020, extremely-online Catholics and non-Catholics alike came together in one of the internet s periodic gestures of widespread, synchronised eye-rolling. One well-known Twitter personality, Connor Wroe Southard, wrote that this exposé was akin to the same newspaper s description of the alt-right YouTuber Ben Shapiro as “the cool kid s philosopher”. Another familiar voice of Twitter, Liz Franczak, exclaimed in a rawer spirit: “I cannot believe there is a Weird Catholic Twitter piece in nytmag.” ....
2015 Andrea Recalde, Hobart, New York 2015 Charlie Blanchard, San Francisco, California Back 2010 Angelique Pierre, Port-au-Prince, Haiti As a means of arriving at a more critical and focused view of the dense capital city of Port-au-Prince, Haiti I sought to define a tangible image of the social and spatial conditions around the infrastructural systems linking the city through water distribution, the program of the latrine, and, subsequently, that of the market. Upon arriving in Port-au-Prince the greatest challenge was to read the internal logic of the city, as there were seemingly a number of systems operating simultaneously and without resolution. Traveling along any major route, moments of complete desertion suddenly yield to moments of dense commercial activity. In the commercial centers, various informal programs, often incompatible, flow into contiguous spaces as a means of adaptation to allow new merchants to enter the commercial sphere and ....