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Raund Haus's "RH-101" Celebrates Five Years of the Durham-Based Collective and Label


Raund Haus s “RH-101” Celebrates Five Years of the Durham-Based Collective and Label
[Raund Haus; Feb. 26]
There’s an image I will forever associate with Raund Haus, the Durham-based collective and label that’s celebrating half a decade of far-out beats with the compilation
RH-101.
It’s February, 2020, and a man dressed like an Old West undertaker is onstage at Motorco.
With a dramatic flourish, he presses a glowing button on a custom console, dropping a drum into the sample stretching the air, and this tall kid posted up by the stage just can’t take it. First, his arms fly up like he’s literally falling over the drop. Then, bobbing deeply, he clutches his head as if it were the only thing keeping him afloat on the vortex of the beat. ....

Flying Lotus , Raund Haus , Gold West , Saint James , Treee City , Raund Haus Records , Brian Howe , பறக்கும் தாமரை , றௌந்த் ஹாயஸ் , பழையது மேற்கு , துறவி ஜேம்ஸ் , றௌந்த் ஹாயஸ் பதிவுகள் , பிரையன் எப்படி ,

Said Deep's "Duck in Idaho" Is a Love Letter to Sampling


Said Deep s Duck in Idaho Is a Love Letter to Sampling
[Raund Haus; Oct. 23]
Just before MP3s and file-sharing became ubiquitous, the 1990s marked a heyday for a certain strain of vinyl-sampling turntablist. Armed with Akai MPC samplers and enviable record collections, artists like DJ Shadow and The Avalanches assembled entire albums from samples alone—bricolages of forgotten LPs, dusty drum breaks, and disembodied spoken-word.
Twenty years later, it’s no surprise that The Avalanches—whose 2000 album,
Since I Left You, is considered a high-water mark of sample-based music—has experienced something of a second life. As so much of our world goes digital, there’s a renewed craving for the analog experience these artists represent. ....

United States , Raund Haus , Durham Hank Stockard , Laurie Anderson , Hank Stockard , ஒன்றுபட்டது மாநிலங்களில் , றௌந்த் ஹாயஸ் , டர்ஹாம் ஹாங்க் சிட்டொக்கர்ட் , லாரி ஆண்டர்சன் , ஹாங்க் சிட்டொக்கர்ட் ,