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Parambrata’s ‘Abhijaan’ makes it to London Indian Film Festival Team Roadshow Films on their LIFF honour, focusing on human stories that connect with common people and more Arindam Chatterjee | | Published 17.06.21, 12:09 AM
The London Indian Film Festival (LIFF) has selected two works by the Calcutta-based production house Roadshow Films for display in their 2021 edition Parambrata Chattopadhyay’s film
Abhijaan and National Award-winning documentary Swimming Through The Darkness, directed by Supriyo Sen and produced by Aritra Sen. Roadshow Films was formed in 2016 by the renowned actor-director Parambrata, the internationally acclaimed documentary film-maker Supriyo Sen and the engineer-turned-content creator Aritra Sen. Since then they have been associated
Kingpin 2 Is Happening with the Farrelly Brothers Producing?
Kingpin 2 Is Happening with the Farrelly Brothers Producing?
A sequel to the 1996 comedy Kingpin is reportedly in the works with Peter and Bobby Farrelly producing.
Kingpin is reportedly in the works. Released in 1996, the original
Kingpin was a bowling-themed sports comedy directed by Peter and Bobby Farrelly. Starring Woody Harrelson, it followed a professional bowler who becomes the manager of a promising Amish talent (Randy Quaid). The comedy doesn t seem to generate the same amount of love as other Farrelly Brothers titles from its era, like
Dumb and Dumber and
Now, it appears that the ball is rolling forward on
India is celebrating the birth centenary of one of her greatest sons, Satyajit Ray, in a variety of ways. Sunday (May 2, 2021), marks the centenary of Ray, the Indian master who won an honorary Oscar in 1992, shortly before his death, and remains the country’s best known filmmaker internationally. Ray debuted with “Pather Panchali”
Pretty much everyone has seen
Scream (1996), and even if you’re one of the unlucky few who hasn’t, it’s a sure bet you’re familiar with the premise. In this Wes Craven/Kevin Williamson classic, someone in a ghostface mask is bumping off teenagers in spectacular fashion. But it’s not all just vivisecting jocks and decapitating cheerleaders. There’s a dense layer of postmodern trope subversion on underneath Drew Barrymore’s shrieks. Not only does it skewer 80s teen slashers but it more or less sets the tone for the teen slasher revival.
But while
Cherry Falls (2000) has to be one of the worst. Like