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In the autumn of 1975, Martin Scorsese was finishing Taxi Driver, Bob Dylan began his Rolling Thunder Revue tour, and Orson Welles’ F for Fake premiered in New York. In the autumn of 1975, Martin Scorsese was finishing Taxi Driver, Bob Dylan began his Rolling Thunder Revue tour, and Orson Welles’ F for Fake premiered in New York. Welles’ manipulation of found documentary footage of art forger Elmyr de Hory into a viewer-hoodwinking shaggy dog story has far more to do with Scorsese’s film of Dylan’s tour than, say, The Last Waltz. Rolling Thunder Revue: A Bob Dylan Story is a film of crude forgeries and exhilarating truths, fake interviews and vérité theatre, smoke and mirrors. Tipping the wink with its subtitle, and the opening, titular trick from Georges Melies’ ....
Advertising It was almost like a normal Saturday night: hundreds of ticketholders arrived at Barcelona’s Sala Apolo on Saturday December 12 to see performances by Renaldo & Clara, Mujeres and DJs Marta Salicrú and Unai Muguruza. People were even allowed to dance. But this concert was put on by Primavera Sound festival in collaboration with local medical officials. All attendees had to take rapid antigen and PCR tests for the virus before entering. And organisers hoped that the results would show whether live music and nightlife can return in 2021 without social distancing. Primavera Sound invited its database of contacts to take part, in order to ‘do concerts normally and safely, without losing any of the attractions of the experience of live music’ – like standing, dancing, drinking and mingling with other fans. ....