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'Rest now, you God': remembering bass-baritone Norman Bailey (1933-2021) theartsdesk.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theartsdesk.com Daily Mail and Mail on Sunday newspapers.
Norman Bailey obituary theguardian.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theguardian.com Daily Mail and Mail on Sunday newspapers.
Efemérides de hoy 5 de mayo de 2021: ¿Qué se celebra el 5 de mayo? antena3.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from antena3.com Daily Mail and Mail on Sunday newspapers.
1 month old This article is more than 1 month old Richard Wagner’s four-part opera epic will play at London’s Coliseum over several years A scene from Twilight of the Gods at the Coliseum in 2005. Phyllida Lloyd’s production was the last time the Ring Cycle had been staged by ENO. Photograph: Tristram Kenton/The Guardian A scene from Twilight of the Gods at the Coliseum in 2005. Phyllida Lloyd’s production was the last time the Ring Cycle had been staged by ENO. Photograph: Tristram Kenton/The Guardian Wed 24 Feb 2021 02.01 EST It is the Mount Everest of opera, with about 16 hours of music and an epic story of power, love and destruction which collectively represents the ultimate challenge for any company willing to take it on. ....
Last modified on Mon 15 Feb 2021 07.14 EST The galumphing comedy of Siegfried leaves me cold The list of operas I’d happily never sit through again grows longer by the year, but Siegfried has been very near the top of it for a long time. I’m not a perfect Wagnerite by any means (another of his greatest works would also be on my blacklist), but nor am I a Wagner-phobe: I find Die Walküre and Götterdämmerung totally compelling parts of The Ring. Yet the galumphing comedy of Siegfried leaves me utterly cold, and even the glorious scene between Erda and The Wanderer that opens the third act can’t begin to redeem the whole work. ....