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Murder Books 101: The Rise of True Crime, From Highbrow to Cash Cow

Murder Books 101: The Rise of True Crime, From Highbrow to Cash Cow
tor.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tor.com Daily Mail and Mail on Sunday newspapers.

United States , New York , New Yorker , Bob Mecoy , Jeffrey Dahmer , Ruby Mccollum , Carolyn Reidy , Zora Neale Hurston , Charles Stuart , William Roughead , Grady Hendrix , Vincent Bugliosi , Joel Bartlow Martin , Simon Schuster , Charles Manson , Edmund Pearson , Martin Scorsese , Paul Dinas , Meyer Levin , Truman Capote , Celia Thaxter , Lucy Freeman , Jack Olsen , Donald Davis , Thomass Duke , Edna Ferber ,

Murder Books 101: The Rise of True Crime, From Highbrow to Cash Cow

Murder Books 101: The Rise of True Crime, From Highbrow to Cash Cow
tor.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tor.com Daily Mail and Mail on Sunday newspapers.

United States , New York , New Yorker , Bob Mecoy , Jeffrey Dahmer , Ruby Mccollum , Carolyn Reidy , Zora Neale Hurston , Charles Stuart , William Roughead , Grady Hendrix , Vincent Bugliosi , Joel Bartlow Martin , Simon Schuster , Charles Manson , Edmund Pearson , Martin Scorsese , Paul Dinas , Meyer Levin , Truman Capote , Celia Thaxter , Lucy Freeman , Jack Olsen , Donald Davis , Thomass Duke , Edna Ferber ,

Hurston CFP 2021 : CFP: Edited Volume on Zora Neale Hurston


proposals due April 5, 2021
In her 1942 autobiographical work, Dust Tracks on a Road, author and anthropologist Zora Neale Hurston openly declared her desire to expand the focus and direction of African-American literature, indicating not only that “I was and am thoroughly sick of the subject [of the race problem in the United States]” but that she was interested in exploring “what makes a man or a woman do such-and-so, regardless of his color” (713). And while discussions of race inherently pervade much of her work, this artistic and ideological perspective the need to “tell a story the way I wanted, or rather the way the story told itself to me” (713) played a significant role in shaping Hurston’s literary works throughout her storied career. Whether it was using dialect to construct the African-American voice in text, driving down the coast collecting stories from Black folk whose voices had long been ignored, or delving into the lives of a white married cou ....

United States , Polk County , William Bradford Huie , Ruby Mccollum , Zora Neale Hurston , Langston Hughes , Kwame Anthony Appiah , Wallace Thurman , Harold Bloom , Christopher Allen Varlack , Cudjoe Lewis , Charlotte Mason , Guggenheim Foundation , Works Progress Administration , Dust Tracks , Critical Perspectives , Henry Louis Gates , New Negro , Their Eyes Were Watching God , Redding Goes , American Folklore , New Orleans , Influential Harlem Renaissance Era , Harlem Renaissance , Federal Writers Project , White Publishers Wont Print ,