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Bikaner House: Collaborative in-person exhibitions are back


Curated by four leading galleries, On | Site returns us to the ‘corporeal’ experience of art
The last time I walked into Bikaner House was just before the lockdown was announced. I saw an exhibition featuring the works of Pooja Iranna and Natraj Sharma. Who knew it would take a whole year for me to come back?
As I walk into the yellow-lit courtyard, a large red banner reading ‘On | Site’ greets me, and I feel a mounting sense of excitement anticipation not only to see the artworks but also, hopefully, some of the art community.
It is no secret that in a post-pandemic scenario, holding physical exhibitions has been a challenge. This show which hosts four leading galleries: Vadehra Art Gallery (Delhi), Nature Morte (Delhi), Chemould Prescott Road (Mumbai) and Experimenter (Kolkata) marks a return to collaborative in-person exhibitions. Albeit with masks, hand sanitisers, and social distancing replacing air kisses with fist bumps. ....

West Bengal , South Korea , Martand Khosla , Shireen Gandhy , Reena Saini Kallat , Desmond Lazaro , Arpita Singh , Pooja Iranna , Bharti Kher , Roshini Vadehra , Asim Waqif , Natraj Sharma , Anju Dodiya , Mona Rai , Tanya Goel , Shilpa Gupta , Atul Dodiya , Sudhir Patwardhan , Bikaner House , Vadehra Art Gallery , Nature Morte , Chemould Prescott Road , Drawing Salon , Titled Do You Know How , Ayesha Sultana , Biraaj Dodiya ,

Reena Saini Kallat on art that challenges borders and notions of nationhood


Reena Saini Kallat on art that challenges borders and notions of nationhood
© Shubhashish
Reena Saini Kallat on art that challenges borders and notions of nationhood
For Reena Saini Kallat, art has been a means of inquiry as well as a tool for expressing personal and collective concerns. As one of India’s most notable artists, her works span drawing, photography, sculpture and videos that largely dwell on the fluidity of borders and the futility in drawing boundaries when nature itself is boundless.
Reena’s journey into art began out of a sense of loss. She lost her mother to cancer early on in life. “I never thought of art as a profession, but a way of existence that’s as natural as breathing,” she narrates. ....

Shubhashish Reena Saini Kallat , Reena Saini Kallat , Bhau Daji Lad Museum , Wagah Atari , Radcliffe Line , Woven Chronicle , Indo Pak Peace Summit Led , சுபாஷிஷ் ரீனா சைனி கள்ளத் , ரீனா சைனி கள்ளத் , பாவ் தாஜி பையன் அருங்காட்சியகம் , ராட்க்ளிஃப் வரி , நெய்த நாளாகமம் , இந்தோ பக் சமாதானம் உச்சிமாநாடு வழிநடத்தியது ,

Galleries in a Pandemic: Exhibitions Open to the Public


Galleries in a Pandemic: Exhibitions Open to the Public
A peek into exhibitions at art galleries which are opening for the public.
The headlight partially fills up the dark with light, on a cold winter night – comes out the sun in the dreariness of volatility. And like a spotlight it highlights the walkers, tattlers and the veiled human race. The light then moves on to streets and halls and into crevices at dawn, lighting up slumbering quarters, confined stories and scarred corridors. As the new year brings in hope, a sense of weariness and carries on itself a past of monotony, worry and distrust, it gives way to starts and new openings. With several galleries moving to offline exhibits and shows, and slowly opening shows for public view, art takes the form of a visual antidote in a troubled world. ....

West Bengal , New York , United States , New Delhi , Kamrooz Aram , Shrimanti Saha , Imran Qureshi , Meera Mukherjee , Dhruvi Acharya , Arpita Singh , Bharti Kher , Jitish Kallat , Manisha Parekh , Thukral Tagra , Subodh Gupta , Vasant Vihar , Apnavi Makanji , Dayanita Singh , Biraaj Dodiya , Dipti Anand , Adip Dutta , Rakhi Peswani , Thrownness Geworfenheit , Reena Saini Kallat , Nalini Malani , Triveni Kala Sangam ,