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In February, 1943, eight months before she was murdered in Auschwitz, the
German painter Charlotte Salomon killed her grandfather. Salomon’s
grandparents, like many Jews, had fled Germany in the
mid-nineteen-thirties, with a stash of “morphine, opium, and Veronal” to
use “when their money ran out.” But Salomon’s crime that morning was not
a mercy killing to save the old man from the Nazis; this was entirely
personal. It was Herr Doktor Lüdwig Grünwald, not “Herr Hitler,” who,
Salomon wrote, “symbolized for me the people I had to resist.” And
resist she did. She documented the event in real time, in a
Desima on Laurel & Hardy, the Lark Ascending and Lyric FM
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Die tote Stadt, Komische Oper Berlin, OperaVision review – when catharsis goes missing | reviews, news & interviews Die tote Stadt, Komische Oper Berlin, OperaVision review – when catharsis goes missing
Die tote Stadt, Komische Oper Berlin, OperaVision review – when catharsis goes missing
Robert Carsen s production of Korngold s impassioned opera doesn t ring all the bells
by Jessica DuchenThursday, 04 March 2021
Sara Jakubiak as a relishable Marietta with the chorusKomische Oper Berlin/Opervision
A word about grief. Many of us have learned a lot about it this past year; many knew about it before that. When someone we love dies, we grieve. This is normal. This is human. It is agony, but it’s not actually a mental illness. Having Paul, the hero (or anti-hero) of Erich Wolfgang Korngold’s