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Gwangju Biennale explores wide spectrum of art touching the communal mind
Posted : 2021-04-08 11:30
Updated : 2021-04-08 12:21 The 13th Gwangju Biennale exhibition shows Outi Pieski s Beavvit II/ Rising Together II, left, and Min Joung-ki s landscape painting, Byeokgye Nine Banded Stream, Buk-gu, Gwangju, April 1. Yonhap
By Lee Gyu-lee
The coronavirus pandemic has changed so much of people s lives and the ways things are done. The Gwangju Biennale is no exception.
The Biennale, one of the largest art events in Asia, has had its fair share of challenges in bringing the much-anticipated show to art lovers.
The exhibition got pushed back twice ― from last September to this February, and then to this April ― and the organizers had to arrange and install most of the artworks without having the international artists present in Korea.
Lehmann Maupin opens an exhibition of new work by Chilean artist Cecilia Vicuña
Cecilia Vicuña: Quipu Girok (Knot Record). Installation view, Lehmann Maupin Seoul, February 18 April 24, 2021. Photo by OnArt Studio. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London.
SEOUL
.-Lehmann Maupin is presenting Quipu Girok, an exhibition of new work by Chilean artist Cecilia Vicuña featuring her first painted quipu, a recent video, hand-painted prints, drawings, and an installation of precarios that will engage a dialogue between Korean and Andean textile traditions and techniques. An artist, filmmaker, poet, and activist based in New York, Vicuñas work ranges from performance, to painting, to poetry, to large-scale installations that address pressing concerns of the modern world, including ecological destruction, human rights, and cultural homogenization. The exhibition marks Vicuñas second with the gallery and is her first solo presentation