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With an exciting programme of new exhibitions, some of Glasgow International's organisers and artists give a sense of what the festival will bring to audiences
Grab your binoculars and join us for an hour of virtual birding, as we turn the pages of John James Audubon’s gigantic, hand-painted Birds of America (1827-38).
Rarely does the public have the opportunity to see this amazing four-volume work and when they do, it is usually only one plate through a sealed case. As we have done for our students, we will page through multiple volumes so you can experience the colossal scale of Audubon’s birds, painted life-size and then transferred to copper plates for the printing and painting of the published ‘double-elephant’ volumes.
Introducing Audubon’s remarkable work will be Rachael Z. DeLue, Christopher Binyon Sarofim 86 Professor in American Art, Professor of Art and Archaeology and American Studies, and the current Chair of the Department of Art and Archaeology at Princeton University.
“But she didn’t want to marry Fionn anyway.” “It was the way of things in those days, women had no choice in who to marry. That’s why I like Grainne, she refused to accept it and ran off with the man she did love. She defied the greatest warrior that had lived as well as convention. There are many stories about her travels with Diarmuid, places they hid, the adventures they had. All this time Fionn was searching for them. When he finally found them, the years seemed to have softened his anger and they made peace.” “So it was a happy ending then? I can’t see the connection to the name of this place, though,” said Finn.