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How 'Heaven's Gate' Killed 1970s Hollywood

“Here are the spent shell casings,” writes Steven Bach in the introduction to his extraordinary 1985 book
Final Cut, which chronicles the legendarily troubled production of
Heaven’s Gate. Bach paints the making of the film as a war of attrition between its director, Michael Cimino, and the studio that signed off on its making. As in all the bloodiest and most intractable battles, neither side could really claim victory. All that Bach could do as the last man standing was try to tell the tale.
History is written by the winners, except when they conveniently forget to put pen to paper; the script for ....

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Screen Grabs: Recalling that very oddball cinematic year, 1971

Willy Wonka & The Chocolate Factory and entirely-forgotten Disney comedy
The Million Dollar Duck. But other new arrivals suggested Hollywood’s confusion over just what audiences wanted at a point when strict old censorship rules had only recently collapsed (the G-to-X MPAA ratings system was just a couple years old), and the major studios were in a panic. Was
Easy Rider the new model for commercial success? Or
Airport? Hewing to something like the conservative latter model were a flop combat movie,
Murphy’s War, and tea-cosy horror
What’s the Matter With Helen?, a last gasp of the “scary old broads” trend that had commenced with ....

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14 Movies to Watch if You Like McCabe and Mrs Miller

14 Movies to Watch if You Like McCabe and Mrs Miller
filmschoolrejects.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from filmschoolrejects.com Daily Mail and Mail on Sunday newspapers.

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Kelly Reichardt: the quiet American

Set among fur-trappers in the Pacific Northwest in the 1820s, Kelly Reichardt’s First Cow captures the origins of modern American entrepreneurial culture. She talks about how seeing, not showing, has been her motto. ....

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Dalton Delan | The Unspin Room: Still don't need a weatherman

I switch on the old TEAC reel-to-reel, thread the tape spools, sit back and listen to a 24-year-old Bob Dylan conjure up a dystopian mindscape he imagined midway through the â60s: âTheyâre selling postcards of the hanging, theyâre painting the passports brown.â
Here in the lee of the pandemic, these words appear prophetic, as alive today as when they were written. But not only is my equipment old, and I shall wear my trousers rolled, but the Bard of Hibbing turns 80 this month, still on the road, the darkest part, croaking rather than what passed for singing.
A new chapter ....

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