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8 ways to continue celebrating Hispanic Heritage Month
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What to See At Berlin s Art Week and Gallery Weekend
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Alum Allison Glenn and the Power of Listening
Alum Allison Glenn and the Power of Listening
Alum Allison Glenn and the Power of Listening
Allison Glenn. Photo courtesy of Rana Young
Allison Glenn. Photo courtesy of Rana Young
by Joe Giovannetti
For School of the Art Institute of Chicago (SAIC) alum Allison Glenn (Dual MA 2012), the art of curation is about collaboration. So, when she was asked to helm an exhibition in Louisville, Kentucky, honoring the life of Breonna Taylor, Glenn knew what she needed to do: listen.
Promise, Witness, Remembrance at Louisville’s Speed Art Museum earlier this year. Anchored by a portrait of Taylor by Amy Sherald, the exhibition reflected on Taylor’s life, her killing in 2020, and the local and national protests that ensued in the following year. The three titular words were developed from a conversation with Glenn and Tamika Palmer, Taylor’s mother and as Glenn describes the exhibition’s key stakeholder.
Humans have been producing self-portraits ever since the first cave artist put brush to rock.
Elaine de Kooning Self-Portrait, oil on Masonite, 1946. (Courtesy of The National Portrait Gallery, Smithsonian Institution)
Open at the Albuquerque Art Museum beginning Saturday, June 12, “Eye to I: Self-Portraits from the National Portrait Gallery” gathers more than 50 works examining the ways American artists have portrayed themselves since the beginning of the last century. Curators have organized the exhibition chronologically by medium (photography, painting, printmaking and works on paper.)
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With each self-portrait, artists either affirm or rebel against a sense of identity linking eye to “I.”
Santa Fe’s Will Wilson (Diné) expands the documentary work of the early 20th century photographer Edward Curtis through the lens of a 21st century Indigenous artist in “How the West Is One,” owned by the Albuquerque Museum. Wilson uses a tintype process
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