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'I think Archie would be pleased': 100 years of our most famous portrait prize and my almost 50 years watching it evolve


In 2008, when I first visited Canberra’s newly opened National Portrait Gallery, my first response was an overwhelming sense of déjà vu. I knew many of those paintings. They had once hung on the walls of the Art Gallery of New South Wales as part of the annual Archibald Prize exhibition, or been seen in the Salon des Refusés home to the best of the rejects.
Over 49 years I have seen the Archibald from both the inside, as a curator, and the outside as a critic. My first Archibald was in 1972, the year Clifton Pugh won with his portrait of Gough Whitlam. Along with other art history students, I had never been especially interested in this festival of popular culture, but as the recently appointed most junior of all curators my job was to administer the prize. ....

New South Wales , United Kingdom , City Of , Australian Capital Territory , The Netherlands , John Brack , Daniel Thomas , Barry Humphries , Janet Dawson Wendy Sharpe , Helen Brack , Albert Namatjira , Wendy Sharpe , Jules Fran , Michael Boddy , Henry Lawson , Janet Dawson , George Lambert , Adam Goodes , Craig Foster , Sidney Nolan , Clifton Pugh , Mary Edwell Burke , Lionel Lindsay , Banjo Paterson , H Desbrowe Annear , Phil May ,

IOKOI investigates the essence of being with multi-sensory triptych


IOKOI investigates the essence of being with multi-sensory triptych, Tales of Another Felt Sense of Self
An expansive yet intimate project that includes an EP, a series of films from videographer Michele Foti, a publication from graphic designer Sarah Parsons and a room scent from olfactory artist Klara Ravat.
For her latest multimedia project, Tales of Another Felt Sense of Self, sound artist, vocalist and composer Mara Miccichè, better known as IOKOI, embarks on an expansive yet intimate investigation of the essence of being by activating our senses. “To get physical through all the senses and to embrace the other is needed now more than ever,” she explains. “This is the feeling I wanted to translate into sound: raw, intimate, transitional, cleansing and moving. Breathing, embracing and releasing life in all of its facets – imperfect, impermanent, incomplete.” The result is an ambitious, multi-sensory triptych that spirals outwards from five experimental comp ....

Michele Foti , Mara Miccich , Klara Ravat , Sarah Parsons , Episode One , Episode Two , Flexstatic Extended , Bloody Life , மைக்கேல் போடி , சாரா பார்சன்கள் , அத்தியாயம் ஒன்று , அத்தியாயம் இரண்டு , இரத்தக்களரி வாழ்க்கை ,