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His television plays Cathy Come Home (1966), and his film Poor Cow (1967), caused national debate about housing provision, social deprivation, and lone motherhood. He has also directed numerous television plays in support of trade unionism, of which The Big Flame (1969), The Rank and File (1971) and The Price of Coal (1977) are indicative. He also raised the issue of mental health provision and methods in his television play In Two Minds (1967). In 1990, he risked and subsequently received a battering from the establishment media for representing British state terrorism and the assassination of Irish Catholics in the north of Ireland in his film Hidden Agenda. Loach’s ....
There are some traditional toys and games no child should ever go without, says Tom Karen, a 95-year-old toymaker who lives in Cambridge, “like loveable dolls, soft toys, Lego, Monopoly, Connect Four – and yes, the Marble Run.” Karen invented the Marble Run in the 1960s after noticing how his own children found marbles thrilling. “I was surprised how much pleasure they got from a fixed run where all you could do was feed marbles at the top and watch them zig zag their way down,” he says. “It occurred to me, if a marble run could be constructed in different ways it would provide a creative challenge, with a very pleasing reward – it would make a hugely satisfying toy.” ....
Aidan Turner s Leonardo paints his truth and flaunts his good looks Credit: Amazon “A man like Leonardo…” – says a dark-browed Italian – “…his genius is forged by pain, and that pain can drive a man to commit terrible acts.” Cliché klaxon! Here comes a tortured maestro! Leonardo, Amazon Prime’s new mini-series, is a load of old Renaissance hooey. If you thought the Bridgerton scripts were bad – leaden, laboured, obvious – wait till you hear Aidan Turner’s Leonardo da Vinci, channelling the Duchess of Sussex as he proclaims: “I paint my truth.” It’s perfectly watchable TV, but how did they make such an infinitely interesting man so dull? This isn’t a moan about historical accuracy; drama needn’t be documentary. But the fictionalised life of an artist should at least ....