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State Funeral is available on Mubi and in UK cinemas from 21 May. The ongoing project of the prolific Ukrainian filmmaker Sergei Loznitsaâs nonfiction work, continued in State Funeral, might be described as one of bearing witness to people bearing witness to history â observing the manner in which individuals strive to find the âappropriateâ response to the import of a historical moment, and in the process making a viewer aware of the limitations of what can be understood of peopleâs interior lives through the cameraâs scrutiny. In 2016âs Austerlitz, the subjects are tourists filing through Nazi death camps; in 2018âs Victory Day, itâs visitors, mostly from the former USSR, to the Soviet War Memorial in Treptower Park near Berlin, commemorating the anniversary of the unconditional surrender of the city to Soviet occupiers. ....
Toronto Star’s Heather Mallick described them as “thoughtless, ahistorical and self-congratulatory” and proclaimed that we must stop trusting photography. When data scientist Samuel Goree tested DeOldify, an AI colourization app, to convert a greyscale copy of Alfred T. Palmer’s 1943 photograph Operating a hand drill at Vultee Nashville, the result produced an image in which the black female subject’s skin was lighter. Interventions like these are not unique among the history of photographic manipulation the Cottingley Fairies photographs taken by Elsie Wright and Frances Griffiths in 1917 are a prime example. But alongside sophisticated internet tools like deepfakes (where a person in an existing image or video is replaced with someone else), the use of algorithms to alter photographs has provoked renewed anxiety about the authenticity of photography in the digital era. ....
The controversial history of colourizing black-and-white photos laosnews.net - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from laosnews.net Daily Mail and Mail on Sunday newspapers.
A photo retoucher and VICE have been subjected to strong criticism after it emerged that mugshots of victims of the Khmer Rouge regime were manipulated to make it appear as though they were smiling. VICE published an interview with artist Matt Loughrey on April 9 in which he discussed his recent work colorizing images from an archive of photographs of genocide victims, documented as they arrived at the S-21 Tuol Sleng Prison in the late 1970s. Many were subjected to torture before being murdered. The article (now removed) suggested that the changes to the images were at the request of relatives, with Loughrey alleged to have claimed in a social media message that “The response to the project has been so positive.” ....
Les couleurs de l'histoire franceculture.fr - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from franceculture.fr Daily Mail and Mail on Sunday newspapers.