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How Aboriginal rock art can live on even when gone


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How Aboriginal rock art can live on even when gone
This article by Professor Joakim Goldhahn from UWA’s Centre of Rock Art Research and Professor Paul S.C.Taçon from Griffith University, originally appeared in The Conversation on 8 April 2021.
Aboriginal rock art unfolds stories about the present-past and emerging worlds, often described by an outsider as the Dreamtime. Some rock art, it is believed, was put in place by spiritual and mythological beings. Many of these Ancestral Beings travelled vast distances, and their journeys link places, clans and different rock art paintings.
Other images were created to educate children about cultural protocols, or just made to tell an amusing story. The artists who created the works are also important. Some artists were prolific and appreciated. A person who made a hand stencil could often be identified by the hand’s shape. ....

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Friday essay: how a long-lost list is helping us remap Darug place names and culture on Dyarubbin, the Hawkesbury River


In 2017, I came across an extraordinary document in Sydney’s Mitchell Library: a handwritten list of 178 Aboriginal place names for Dyarubbin, the Hawkesbury River, compiled in 1829 by a Presbyterian minister, the Reverend John McGarvie. I was stunned. I stared at the screen, hardly believing my eyes.
After years of research, my own and others, I thought most of the Aboriginal names for the river were lost forever, destroyed in the aftermath of invasion and dispossession. Yet, suddenly, this cache of riches.
A page from Rev McGarvie’s 1829 list of Aboriginal names for places on Dyarubbin, the Hawkesbury River.
Mitchell Library, State Library of New South Wales ....

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